Abstract
Abstract This paper is a critical interpretation of the role of laughter in the work of Agnes Heller. Following the distinction between innate affect and culturally conditioned emotion, Heller argues that laughter is an affect that comes as the expressive reaction to the hiatus between the social and the natural. As such, laughter is ubiquitous and yet remains ultimately undefinable, because it signifies the unbridgeable gap between the two worlds that we inhabit at the same time. Laughter thus sonorously presents our human condition as expressible yet not graspable according to a single theory of laughter (superiority, relief, incongruity, and ambivalence, as defined by D. H. Monro), or any combination thereof. Paraphrasing Immanuel Kant, laughter is ultimately the instinct of reason that liberates us from the illusion that a resolution between the two conflicting constituents of our existence is ultimately possible.
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