Abstract

The introduction of the Corded Ware Culture (3000–2500 BCE) is considered a formative event in Europe's past. Ancient DNA analyses demonstrate that migrations played a crucial role in this event. However, these analyses approach the issue at a supra-regional scale, leaving questions about the regional and local impact of this event unresolved. This study pilots an approach to ceramics that brings this small-scale impact into focus by using the transmission of ceramic technology as a proxy for social change. It draws on ethno-archaeological studies of the effects of social changes on the transmission of ceramic production techniques to hypothesise the impact of three idealised scenarios that archaeologists have proposed for the introduction of Corded Ware Culture: migration, diffusion, and network interactions. Subsequently, it verifies these hypotheses by integrating geochemical (WDXRF), mineralogical (petrography), and macromorphological analysis of ceramics with network analysis. This method is applied to 30 Late Neolithic ceramic vessels from three sites in the western coastal area of the Netherlands (Hazerswoude-Rijndijk N11, Zandwerven, and Voorschoten-De Donk). This study concludes that the introduction of Corded Ware material culture is a process that varies from site to site in the western coastal area of the Netherlands. Moreover, the introduction of the Corded Ware Culture is characterised by continuity in technological traditions throughout the study area, indicating a degree of social continuity despite typological changes in ceramics.

Highlights

  • 5000 years ago, a lasting change took place in Europe

  • Cord-decorated ceramics are the hallmark of this new culture; its name: Corded Ware Culture (CWC) (3000–2500 BCE)

  • This study proposes that ceramic technology can shed new light on this interaction and applies this methodology to study the introduction of CWC in the western coastal area of the Netherlands

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Summary

Introduction

From the Netherlands to the Baltic, highly similar funerary practices and material culture emerged from a patchwork of regional cultures. Cord-decorated ceramics are the hallmark of this new culture; its name: Corded Ware Culture (CWC) (3000–2500 BCE). The implied discontinuity of a massive migration clashes with mounting evidence for continuity of regional communities (Beckerman, 2015; Furholt, 2014; Larsson, 2009). How do these regional narratives about continuity tie into the supra-regional narrative about migration

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