Abstract

Twenty years after the last archaeological researches and surveys, a new investigation has been carried out on the basement in the church of Santa Maria in Via Lata in Rome. The study has employed three-dimensional surveys with laser scanning methodology and has focused both on archaeological and architectural issues. Indeed, the present layout of the basement derives from a XVII century remodelling of early Christian and medieval spaces planned by Pietro da Cortona. The architect gave a unique setting and composition to the underground spaces, different in shapes and building materials, thanks to the refinement of his baroque language. Though he worked in small spaces with static problems connected to the foundations and to the loads of the church rising above, and with poor lighting and extreme dampness, Pietro da Cortona put skilfully together “modern” elements with ancient or historical pre-existences. The study focuses on Berrettini’s design process through a three-dimensional analysis with CAD systems, starting from the new XVII century fa?ade and from the articulated distribution of routes that led to the intimate underground interiors. Metrical processing gave the possibility to improve the knowledge about room geometry and to confirm the interpretations put forward by major scholars such as Krautheimer and Cavazzi.

Highlights

  • How to cite this paper: Martino, L.P.M. (2014) The Interventions of Pietro da Cortona in the Crypt of Santa Maria in Via Lata in Rome, Studied through a Morphometric Three-Dimensional Survey

  • If the search for information is the foundation of the History of Architecture, a rigorous survey—allowing the acquisition of objective data, as in an instrumental three-dimensional “modern” architectonic survey—is today, in addition to traditional written sources, a fundamental instrument for the knowledge o fan architectonic construction

  • In the years 1658-1661 Pietro da Cortona realized an intervention in some underground rooms of the crypt located in the Church of Santa Maria in Via Lata in Figure 1, within a conscious plan—which has not been taken into account by the architectonic criticism until now [1]—in which the artist’s own language merges with a scenery referable to the most ancient history of the site [2]

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Introduction

How to cite this paper: Martino, L.P.M. (2014) The Interventions of Pietro da Cortona in the Crypt of Santa Maria in Via Lata in Rome, Studied through a Morphometric Three-Dimensional Survey.

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