Abstract
Scholars have previously conceptualized the Black press as print publications that are owned and managed by African Americans, targeting a Black audience and advocating for the Black community. This study investigates how online producers of Black news are troubling previous definitions of the Black press. Websites that target African American readers but are owned by White media companies and Black-targeted websites that primarily produce entertainment news create ambiguity. I conclude that African American ownership and advocacy are no longer requirements for the Black press and that entertainment content is often a relevant and important component of the digital Black press.
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