The Figure of Constantine the Great in Cynewulf's ‘Elene’

Abstract

The first two hundred lines of Cynewulf'sElenedeal not with Elene's finding of the Holy Cross but with the events that lead to the conversion of her son, the emperor Constantine. They recount the invasion of his kingdom by a horde of Goths, Huns, and Franks; his fear and despair at the prospect of doing battle with such a vastly superior force; his nocturnal vision of the cross with its famous promise of victory; the crushing defeat he inflicts on the invaders the next day; his triumphant return to Rome, where he learns from his counsellors that the cross is the sign of God; his evangelization by a group of Christians; and his subsequent baptism. Only after all this does the quest for the True Cross get underway, at Constantine's bidding. Although the fifth-centuryInventio Sanctae Crucis, Cynewulf's principal source, narrates these events in a few lines of bare, prosaic Latin, the Old English poet has turned them into the most extensive piece of amplification in the whole work, chiefly, but not entirely, by providing detailed descriptions of the invading and defending armies, and of the battle itself, in recognizably formulaic style with much skillful repetition and variation.