Abstract
The reception of second-wave feminist guidelines in the Brazilian artistic system has been a recurring theme of inquiry in feminist historiography because of its peculiarity: a country that propagated its international image as a place of delight and sexual experience, but crystallised in conservative and colonial values, in conjunction with a highly experimental artistic scene, but under the yoke of violence from a civil-military dictatorship. To show what kind of relationship was established between some of the cultural agents of the period and the feminist agenda that arrived in the Brazilian scene, this essay takes some case studies that point out the strategies and negotiations regarding feminism, even though those concerned were not militants.
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