Abstract
AbstractArchitectural historian and theorist Mario Carpo examines the status quo of digital innovation. Whereas the espousal of animation software in the 1990s placed architects conspicuously at the forefront of new technologies as early adopters and adapters, in the new millennium they have less enthusiastically embraced the participatory opportunities of Web 2.0 and open‐source modes of working. Could the desire for single authorship be holding designers back?
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