Abstract
In this study some of the architectural elements which can influence the balance between the singer on the stage and the orchestra in the pit, in respect to the design constraints, have been investigated. By means of room simulations, modifications in the type of materials, dimensions, and shapes of the pit, and modifications of the proscenium dimension and stage slope were applied. Some of the architectural elements controlling the balance have been identified and optimized. Simulations were performed with omnidirectional sources in the pit, despite the directivity of the instruments, and directional source on the stage. The effects of the applied changes on the balance between singer, conductor, and orchestra have been analyzed too.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
