Abstract
Collaboration within the recording studio has moved through different modes of development since the early 1900s. This process represents the development of the recordist from entrepreneur to collaborative artist. In this article I explore the progress of the collaborative role between the studio recordist and theartist. By examining the recording processes of new ‘retro-sonic’ rock music, I document an example of the contemporary roles of studio recordists, and explore modes of both traditional and more sophisticated recording methods and evolving processes of collaboration.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
