Abstract
Social protest takes on new characteristics today, mediated by the use and appropriation of digital technologies. Citizens make use of devices as a central part of the mechanics of the protest, incorporating digital strategies into their repertoire of collective action. One of these uses highlights the centrality of the new screens for the defense of Human Rights, through the recording, publication and spreading the abuses of repressive forces and the montage of fake news through social media. A citizen's capacity to watch over the watcher. Due to its duration and characteristics, the case of the protests that began in October 2019 in Chile is a paradigmatic case from which to study these transformations.
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