“The Bloody Assizes:” Whig Martyrdom and Memory after the Glorious Revolution

Abstract

Revolutionaries of modern times often imagine themselves not only as creators of a new future, but also as constructors of a new past. They seek to reinterpret events, rewrite texts, desacralize old idols and icons, and institute new heroes, heroines and martyrs for the cause newly victorious. They hope to recast popular memory to justify the new order. Historians might easily associate such attempts to reconstruct history and manipulate memory with the violent context of the French Revolution. Recent work in French cultural history has provided scholars with a fuller awareness of the functions of revolutionary propaganda, from iconography to ritual. Investigations into festival, street literature, rhetoric, reading, audience, and memory have given the revolutionary experience in France a cultural history that England's still lacks.