Abstract
In recent years, A. B. Yehoshua has been taken to task for tempering his criticism of Israeli politics and shifting closer to the political center. In this article, I shift the discussion to a historical and poetic perspective through an interpretive evaluation of the bereaved father figure in Yehoshua's oeuvre. His approach to the bereaved father has undergone a radical transformation. This is clearly seen in his latest works in which he has made the transition from a critical stance toward the bereaved father—one of the most potent images of Zionist ideology—to a more moderate position reflecting internalization and acceptance of bereavement. To investigate this development, I explore the use of the bereavement myth in several of Yehoshua's works and offer a detailed comparison of his early novella Bi-techilat kayits 1970 (Early in the Summer of 1970; 1972) and his more recent work Esh yedidutit (Friendly Fire: A Duet; 2007).
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