Abstract
Abstract This paper gives some information about the strategies for the functional rehabilitation of wood-made historical musical instruments, taking into due account the properties of this material. Actually, while for some types of wooden musical instruments it is possible to keep intact, or to recuperate, the (true or supposed) original voice and playability through quite straightforward steps during the restoration works, for other kinds of musical instruments made of wood, it is shown that a much more complex approach is required, and that a tool developed for monitoring the obtained results could be useful both for control and documentation purposes.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
