Abstract
In the given article the problems of artistic and aesthetic functions of the main compositional unit of the comedy genre are investigated. The theoretical side of the problem is analyzed on the example of comedies of Karakalpak playwrights. For the first time in Karakalpak literary criticism, a conclusion has been made about the problem of artistic classification of a remark. The article explores such artistic functions of the remarks as the actions of the hero and the formation of the external compositional structure of the work. The comedies of D.Aytmuratov and M. Nizanov were analyzed on determining the theoretical result of the remark. The problem of internal and external remarks was first implemented into the science of Karakalpak literature. The studied problem is based; theoretical solutions and proposals are given.
Highlights
"From an artistic point of view, the problem lies in the inner harmony, the proportionality of the "direct" and "indirect" image of the various phases of the dramatic action, the unity of its "scale"
If one of the main conditions of the comedy genre is the transmission of dialogue and action in a humorous and satirical pathos, the remarks serve as an element that ensures the fulfillment of this condition
"The final words of the drama should remind us that its task is not to depict an accidental, once-occurring event, but a truly poetic one, which has a universal meaning that is understandable to all" [9: 120]
Summary
The playwright loads the performance function on the remark This interpretation gives the director the opportunity for a better dramatization of the comedy. Such remarks as "pointing to the top with his finger", "waving his hand around his head", "showing a clenched fist to the side" completely merge into the time action There are many such examples in the "The Inspector". The fourth-the author's-narrative, that is, conveys the actions of the character that should occur: In such remarks, despite the fact that there is no emotion, they are loaded with the function of a more perfect disclosure of the character's nature. If one of the main conditions of the comedy genre is the transmission of dialogue and action in a humorous and satirical pathos, the remarks serve as an element that ensures the fulfillment of this condition.
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