Abstract

This article proposes and discusses a queer methodology for oral history research in the LGBTQ community. Music and musical mementos function as the basis of these oral histories, allowing the narrators to guide me through their stories about LGBTQ identity and music. In line with theories of the queer archive and feminist research methods, a collaborative and situated multimedia research approach with a focus on music is suggested. By means of four diverse narrators’ stories, I discuss how this methodology works in practice.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.