Abstract

The article analyses, for the first time, published memoirs by police officers following the unification of Italy. It argues that these memoirs are best considered as cultural artefacts, forming part of the popular literature of the period. That said, they developed into a distinct literary sub-genre. It is in fact a literary genre which developed as an editorial product in the wake of the nascent literature of investigation. Periodically, the memoir succeeded in arousing public interest, while never establishing itself as a stable genre in Italian publishing — something due to a lack of robust professional pride within the Italian police, which in turn provoked a lack of interest in the representation of their function and therefore an inability to enthuse the public. However, these memoirs contain stimulating pointers to the history of the social motivations, professional culture and ethics of police officers and officials, especially with reference to the history of the perception of crime and deviance in popular literature.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.