Abstract
Dissatisfied with the arts landscape of 1990s Catalonia, Eulàlia Valldosera moved to the Netherlands in pursuit of new forms of expression. Setting up a home in a foreign space made her aware of how dwelling places are saturated with traces of their former inhabitants. During that decade, she produced a series of photographs and installations that engaged with the domestic space. This article explores the artist’s use of time, movement, and the everyday object in a selection of her 1990s oeuvre and suggests that place and time in her work hark back to a subject that is either absent or displaced.Keywords: Eulàlia Valldosera, dislocation, domestic space, object, installation art.
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