Teaching Intersectionality in the Age of Intersectionality

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Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

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Teaching and Learning Guide for: A Glimpse into the Sociology of White Antiracism and White Nationalism
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Samson 2005. ‘White Racial and Ethnic Identity in the United States.’ Annual Review of Sociology 31 : 245–61. Any contemporary apprentice of the sociological study of white racial identity should read this essay. Monica McDermott and her student Frank Samson combine to provide a robust overview of the literature. They walk the tightrope of balancing both a broad coverage of the literature with the depth that key studies necessitate. In so doing, they put a finger on the key dilemma of studying white racial identity today: ‘Navigating between the long‐term staying power of white privilege and the multifarious manifestations of the experience of whiteness remains the task of the next era of research on white racial and ethnic identity’ (2005: 256). Duster, Troy 2001. ‘The ‘Morphing’ Properties of Whiteness.’ Pp. 113–33 in The Making and Unmaking of Whiteness , edited by E. B. Rasmussen, E. Klinenberg, I. J. Nexica and M. Wray. Durham, NC: Duke University Press. In this essay – part of a larger volume on whiteness that I also recommend – Duster synthesizes disparate approaches to the study of whiteness. Demonstrating how some scholars understand white racial identity as a contextual and cognitive category (‘fluid’), while some frame whiteness as a structural and fixed category of material privileges (‘frozen’), Duster asks ‘who is right?’ He answers via the metaphor of whiteness‐as‐water. In one moment, whiteness can morph into vapor as a contextual and unstable identity, while the next moment it can instantly transform into a harsh and unyielding form of ice‐like privilege. Duster’s essay is an excellent retort for those who argue that we should move ‘beyond’ race to the utopian realm of color‐blind individualism. Duster demonstrates, although the example of the supposedly egalitarian New Deal, that while race is socially constructed, the legacy of racism remains a historically reproduced and real social fact – denying the existence of race perpetuates racial inequality. Duster closes the chapter with a personal anecdote that grounds the historical example in modern, interactional, and everyday life. Perry, Pamela 2002. Shades of White: White Kids and Racial Identities in High School . Durham, NC: Duke University Press. Perry gives us two ethnographic studies in one – that of two northern California high schools: one located in a predominantly white, if economically diverse, suburb, the other situated in a multiracial urban community. Perry persistently and systematically probes the complexities of white racial identity in the practices and discourses of the youth attending these high schools. She finds that whites in the predominantly white, suburban high school do not see themselves as a unique race and take their racial identity for granted – they understand distinctly white practices as normative rather than as constitutive of a subjective worldview. In contrast, the whites at the multiracial, urban high school possess a more critical and comparative view of race and their own place in the racial order. In sum, Perry argues that whiteness is a set of complex, contradictory, and multiple subject positions. Wray, Matt. 2006. Not Quite White: White Trash and the Boundaries of Whiteness . Durham, NC: Duke University Press. Matt Wray brings the tools of cultural sociology viz‐á‐viz ‘symbolic boundaries’ to the interrogation of the moniker White Trash . Wray problematizes this relatively normalized term to question its origins and how it persists. Drawing upon literary texts, folklore, diaries, medical articles, and social scientific analyses from the early 1700s to the turn of the 20th century, Wray documents the multiple meanings that were projected onto poor rural whites in the United States. Of particular import, Wray demonstrates how white supremacist ideas about class and region became dominant through public health campaigns and eugenic reformations. Impoverished whites found themselves the targets of officials and activists who framed them as ‘filthy’ or “feebleminded,” and thus a threat to the purity and supremacy of the white race. This text is particularly informative for its demonstration of how white supremacist logic was not only focused on racial ‘otherness’ but used the axes of class and location to directly demarcate and attack those seen as ‘white’ yet somehow racially deficient and unworthy. Winant, Howard 2004. ‘Behind Blue Eyes: Whiteness and Contemporary U.S. Racial Politics.’ Pp. 3–16 in Off White: Readings on Race, Power, and Society , edited by Michelle Fine, Lois Weis, Linda C. Powell and April Burns. New York, NY: Routledge. In applying his now classic approach formulated in concert with Michael Omi ( Racial Formations , 1986), Howard Winant applies the ‘racial projects’ thesis to whites: ‘I think it would be beneficial to attempt to sort out alternative conceptions of whiteness, along with the politics that both flow from and inform these conceptions. … focusing on five key racial projects, which I term, far right, new right, neoconservative, neoliberal, and new abolitionist ’ (2004: 6). Hence, Winant maps a theory of white identity formation onto a bifurcated ‘culture war.’ Labeling this phenomenon ‘racial dualism as politics,’ Winant advances a paradigm in which whiteness is undergoing ‘a profound political crisis.’ Winant’s essay is especially important for those that wish to emphasize the heterogeneity of white racial identity, as he provides Weberian‐like ‘ideal types’ for the comprehension of the racial‐political landscape. Hughey, Matthew W. (forthcoming 2010). ‘Navigating the (Dis)similarities of White Racial Identities: The Conceptual Framework of “Hegemonic Whiteness.”’ Ethnic & Racial Studies. In this work, I build upon many of the aforementioned studies. Like Pamela Perry (2002) I dive into two ethnographic sites, but of much different breed. To interrogate how whiteness might be akin to ‘vapor and ice’ (Duster 2001) and to provide a robust answer to the dilemma of the ‘long‐term staying power of

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Firearm Access and Socio-Structural Factors Related to Suicidality Among Youth With Diverse Sexual, Gender, and Racial Identities
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  • Archives of Suicide Research
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Reading Harry Potter: Popular Culture, Queer Theory and The Fashioning of Youth Identity
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  • David Nylund

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Food, cultural studies, and popular culture
  • May 7, 2013
  • Fabio Parasecoli

Cultural studies, an academic field that developed from the late 1950s, aims to understand contemporary cultures by examining their internal dynamics, their everyday performances, and their media representations, including expressions of popular and mass culture. Grounded in Marxian and post-structuralist critical theory, cultural studies explores how meaning is generated, disseminated, reproduced, negotiated, and resisted through values, beliefs, symbols, practices, institutions, as well as economic, social, and political structures within a given culture. Acknowledging the fluidity and constant transformation of its object of study, especially under the acceleration imparted by technological innovations and globalization, cultural studies critiques any a priori hierarchies imposed on the various facets of a culture, based on aesthetic, moral, or historical values, which the discipline actually considers as part of what needs to be analyzed as expression of class and other social dynamics (Simon, 1999; Swirski, 2005). Popular culture is sometimes referred to as mainstream culture, or that which is popular withthe masses, and its study is at times considered as a subfield resulting from the combination of cultural studies and communication studies. However, for the purpose of this article, popular culture is defined as the totality of ideas, values, representations, material items, practices, social relations, organizations, institutions, and other phenomena that are conceived, produced, distributed, and consumed within a market-and consumption-influenced environment, with or without the specific economic goal of reaping a profit. This definition both includes the mainstream and all possible alternative or oppositional subcultures, as well as the dynamics through which the mainstream is established, opposed, and constantly evolving. For example, specific subgroups in a society may develop their own forms of expression, through which they may directly or indirectly criticize and oppose the mainstream. Yet, by so doing they inherentlyengage with it, often fueling the interest of the very cultural apparatuses that they initially aimed to undermine. As a consequence, aspects of their subculture may eventually be taken out of context, absorbed, and used in mainstream popular culture. Cultural studies shares many common elements with food studies, which promotes andpractices the analysis of cultural, social, and political issues concerning the production, distribution, representation, and consumption of food. However, they differ mainly in that while cultural studies has historically focused on specific communities and subcultures, exploring expressions and practices among which food might or might not be featured, food studies concentrates its attention on food in its material, representational, and symbolic aspects as they unfold across societies, communities, and subcultures. The presence of food in everyday life is pervasive, permeating popular culture as a relevantmarker of power, cultural capital, class, gender, ethnicity, and religion, which both cultural and food studies recognize as crucial. Consequently, both disciplines are well equipped to examine lived food experiences, including recipes, food-related traditions, cooking techniques, even daily shopping, in their relations with power structures such as the food industry, marketing and advertising firms, political lobbies, academic institutions, and media. Food studies and cultural studies share a keen interest in the fraught and complex connec-tions between lived bodies, imagined realities, and structures of power built around food. Both disciplines acknowledge that not only the material aspects of individual and communal practices, but also desires, fantasies, fears, and dreams coagulating around and in the body, deeply influence our development as individual subjects and as members of all kinds of social formations. However, the ubiquitous nature of the cultural elements relating to food makes their ideological and political relevance almost invisible, buried in the supposedly natural and self-evident fabric of everyday life. Meanwhile, our own flesh becomes fuel for all kinds of cultural battles among different visions of personhood, family, society, polity, and economics. Employing cultural studies’ political sensibilities, its attention for lived experiences, and its critical approach towards cultural hierarchies, food studies can provide an accessible analytical framework to achieve a deeper comprehension of twenty-first-century globalized post-industrial societies.

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