Sutjeska Memorial Park (1958–75): Yugoslav World War II Memorial Complexes and Embodied Strategies for Solidarity

Abstract

ABSTRACT This article investigates the expansion of World War II memorial sites in socialist Yugoslavia, with a focus on the Sutjeska Memorial Park in Bosnia-Herzegovina. Beginning in the early 1960s, a new typology of memorial complexes emerged, merging domestic tourism and commemoration. These sites operated as forms of social infrastructure that provided ground not solely for the remembrance of the historical events of the War but for enabling solidaristic sentiments required to prevent its resurgence. The Sutjeska Memorial Park exemplifies how artists and architects experimented with new forms to produce embodied affective strategies to engage new generations without personal war memories. Expanded memorial parks attempted to evoke somatic responses to fascist horror while using new tourist amenities to stimulate a sense of significance across diverse generational and cultural communities. Drawing on archival materials and the formal elements of Sutjeska’s monuments, this research examines understudied sites that produced immersive environments intended to open the realm of visual experience to other embodied possibilities and to instil new cultural practices of comradeship and commemoration. This paper illustrates how the design of the Sutjeska Memorial Park as social infrastructure facilitates its continued function today despite Yugoslavia’s dissolution, maintaining much of its original antifascist character.