Abstract
The peculiarities of subjective mobilization in the work of popular artists are examined. It is based on the psychodynamics of work and the power to act from Spinoza's perspective. Semi-structured interviews were conducted with artists who work with clay, wood, and oil on canvas. The interviews were recorded, transcribed, and analyzed. It was found that the peculiarities of subjective mobilization are revealed from the specificity of the act of making art itself. As a work, making art reveals a subjective mobilization through complex and permanent psychic elaboration, not to account for the organization of work, but to create. It is concluded that subjective mobilization is not to face suffering and transform it into pleasure; but rather, a joy of living for art.
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