Abstract

The figure of the prisoner, particularly as associated with the Numbers gangs in South African prison gangs, is both a hyper-masculine and (homo-)eroticized character. Prison allows for a state of being queer that, through its subject having already been criminalised, and escapes the stigma of feminization associated with it in the hierarchically gendered society outside of prison. Through the structure of the gang and in the confines of the prison, same-sex desire is at the centre of criminality and masculinity. At the same time, prison allows a space in which same-sex desire is countenanced; it thus becomes a literary setting fraught with same-sex eroticism. This essay considers the extent to which the masculinities of prison have become conflated with notions of an eroticized homosexual threat and the politics and fates of such threat inside and outside the jail walls. It reads a film (Proteus, 2003), non-fiction text (The Number, 2010, by Jonny Steinberg), short fiction (by Jan van Tonder), and play (Tertius Kapp’s Rooiland, 2013).

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