Abstract
Abstract Despite the many pop and rock songs adapted from literary texts, there has been little scholarship on the theory and practice of adapting novels and short stories into short-form musical works. This article is part of a British Academy-funded pilot project carried out by two researchers at Keele University, UK. Locating story-into-song texts within adaptation studies, it explores the theoretical issues involved in such adaptations; describes the methodology employed in a series of co-creative workshops with volunteers; and analyses the original songs that emerged from the project.
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