Abstract

Introduction. The universal classification of onomatopoeic words was first introduced in 1969 by Stanislav V. Voronin. In the course of the following fifty years it has been tested on the material of typologically different languages both by the author himself and by other researchers. The aim of this article is to provide a full description of the classification (which has never been published in English before) and to examine its key points critically. The bulk of empirical data collected in the recent years calls for yet another update on the classification. There is a logical contradiction between such classes of onomatopoeic words as frequentatives and frequentatives-(quasi)-instants-continuants. They overlap typologically. This and other minor issues are solved in the present paper.Methodology and sources. The method discussed and applied in the classification is the method of phonosemantic analysis introduced by S. V. Voronin. Empirical data from English and other relevant languages are used for supporting the proposed changes into the classification.Results and discussion. The critical analysis of the Voronin’s universal classification of the onomatopoeic words revealed the presence of overlapping classes and hyperclasses within it, as well as other minor inconsistencies. The empirical typological data allowed to introduce some minor corrections while retaining the main principles of the classification.Conclusion. Introduced half a century ago, Stanislav Voronin’s classification of onomatopoeic words still remains a useful tool of typological research. Critical additions and proposed changes do not lessen its impact on studies in linguistic iconicity. The first part of this paper is devoted to the description of the classification and to the discussion of its advantages and limitations. In the second part of the article some possible solutions to the detected problems are suggested.

Highlights

  • Т. 6, No 4 DISCOURSE. 2020, vol 6, no. 4 approach towards onomatopoeia used by the author was, undoubtedly, novel as he based his classification not on the semantic principle as it was widespread at that time but on the principle of iconic relation of onomatopoeic words to theiracoustic denotata

  • Almost immediately it became evident that such approach made the classification applicable to the material of the English language, but to other languages as well

  • Continuants is a class of onomatopoeic words denoting non-pulse natural sounds, that is, sounds of ‘prolonged’ and ‘coherent’ duration

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Summary

Introduction

Continuants is a class of onomatopoeic words denoting non-pulse natural sounds, that is, sounds of ‘prolonged’ and ‘coherent’ duration (which are not divided into shorter segments) Such sound denotata are perceived either as tonal or noise phonations. Instants-continuants are a hyper-class of onomatopoeic words denoting pulse-like sounds combined with an immediately following non-pulse [14, p. Onomatopoeic words belonging to this type denote pulse-like sounds preceded by a pure noise and followed by a tone (which is a resonance ‘ending’ of the pulse) [14, p. Onomatopoeic words belonging to this type denote pulse-like sounds preceded by tone-noise non-pulses and followed by a tonal non-pulse [14, p. This hyper class of onomatopoeic words denotes complex natural sounds combining the traits of dissonances and pulses preceded or followed by non-pulses [14, p. A structural model for the English onomatopoeic words of this type is the following [14, p. 65]: CONS + R + VǑCL/H, S/W + SONNAS

FREQUENTATIVES
Findings
Dissonances
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