Abstract
Foreward: Artful and Crafty Ones of the French Quarter by Robin Miller Introduction: Building Literary Louisiana Women, Work, and Culture in Reconstruction Louisiana Under Reconstruction: Lafcadio Hearn in New Orleans (1877-1887) by Richard Collins Sallie Rhett Roman of the New Orleans Times-Democrat: Race, Women, and Southern Aristocracy in the Novellas, Tonie (1900) and Folette of Timbalier Island (1900) by Nancy Dixon Do You Not Know That Women Make Money?: Women and Labor in Louisiana Literature by Tiffany Duet Living Amid Romance: Ethnic Cultures in Ruth McEnery Stuart's New Orleans Stories by Joan Wiley Hall Louisiana During the Modernist Period 1919-1945 William Faulkner's Two-Basket Stories by Jo LeCoeur Cakewalks, Cauls, and Conjure: Folk Traditions in Arna Bontemp's God Sends Sunday and Summer Tragedy by Lisa Abney Huey Long as Deep South Dictator: A Lion is in the Streets as Novel and Film by Philip Dubuisson Castille Depictions of Race and Class 1865-1945 Behind The White Veil: Alice Dunbar-Nelson, Creole Color, and Goodness of St. Rocque by Pamela Glenn Menke Masking and Racial Passing at Mardi Gras in Lyle Saxon's Have a Good Time While You Can by Larry D. Griffin The nigger that's going to sleep with your sister: Charles Bon as Cultural Shibboleth in Absalom, Absalom! by Erin E. Campbell All-Seeing Eye in Grace King's Balcony Stories by Susie Scifres Kuilan Irreducible African: Challenges to Racial Stereotypes in George Washington Cable's Grandissimes by R. Allen Alexander, Jr. Why Don't She Stay in Her Class?: Caste Structures in Lyle Saxon's Children of Strangers and Zora Neale Hurston's Their Eyes Were Watching God by Suzanne Disheroon-Green Bibliography Index
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