Abstract
By way of the complex topography of the Phaedrus, Plato raises the question of his authorship and the consequences it has for the reader's reception of Socrates, by likening Socrates' changing status in the text to the complex mythological traditions surrounding the rape and abduction of Helen of Troy (amidst a grove of plane trees). As Socrates is likened to the excessive and duplicitous Helen and her various eidolic apeareances, the question of the dialogue appears to shift from who is to a more postmodern formulation: which Socrates?
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