Abstract
The present article examines the authorship of the “auto sacramental” La Araucana, attributed to Lope de Vega in 1893 by Marcelino Menéndez Pelayo. A study of the auto compared with Andrés de Claramonte’s plays regarding meter characteristics, parallel passages and noun series, suggests that this last poet of the Spanish Golden Age would be the closest playwright as to the literary style of La Araucana.
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