Abstract
Simulation and auralization techniques are established in applications of room acoustics for quite a while. Research projects are currently focusing on a coordinated effort to improve the complete signal chain from the numerical modeling, the data acquisition within numerical or real sound fields, the coding and transmission to the electro-acoustic reproduction by binaural technology or by sound field synthesis. Approaches for the comparative evaluation of real and simulated environments will enable the evaluation of the plausibility and/or the authenticity of virtual acoustic environments. The state of the art is revisited and discussed along the series of the three past “round robins on room acoustic computer simulation.”
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