Abstract

Is one who imagines a “perfect” (or vastly improved) society also obliged or inclined to imagine a “perfect” (or vastly improved) body as part of her project? If there is in fact a utopian tradition imagining perfect bodies, what new alternatives are conceivable? Should utopian writers pursue any or all of them? Attempts to provide an answer provide critics with perhaps their most penetrating objections to the utopian project since imagining and reproducing perfect bodies entails an intrusiveness even greater than political or economic perfection. But the very intimacy of the body as a site also offers insights into the utopian imagination. Just as certain practices are excised in utopias (private property or money, for instance) and certain ones enhanced (education), so too are utopian bodies, which can be imagined as liberated prisons or improved forms. The utopian body, itself a complex site, becomes the most vivid focus for imaging the nature of perfection itself. New bodies, dramatically enhanced ones such as cyborgs or dramatically reduced ones such as cyber bodies, offer an intense examination of what perfection means and what lengths are worth pursuing to achieve it.

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