Abstract
To the student of the art of imperial Rome, and in particular to the student whose views are founded on the monuments of Rome itself, the age of the Severi is often felt to be one of promise rather than fulfilment. It is not until the latter part of the third century, on the eve of the new age, that the pagan architecture of the imperial capital comes to its final, rich flowering in such monuments as the Aurelian Walls, the Baths of Diocletian, and the Basilica of Maxentius. The Baths of Caracalla, the additions to the Flavian Palace on the Palatine and the vanished Septizonium remind us that in the meanwhile monumental architecture was dormant only; but the centre of interest and of experiment has shifted to more practical fields; and it is rather to the houses and warehouses of Ostia that we have to look for evidence of the continued development of Roman architectural ideas. In the field of sculpture we are somewhat better served.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
