Abstract

The purpose of this paper is to analyze Foucault’s final key notion of subjectivation in the light of the Baroque metaphor of fold(ing). According to Deleuze, two distinct sources, Heidegger’s memory of Being and Leibniz’s monadology, are in a way brought together in this Foucauldian notion. I try to highlight the importance of the concept of subjectivation in the context of a performative turn in contemporary philosophy and various historical ways of conceiving this concept. A technical yet crucial aspect that has to be emphasized is the complex interplay and mutual co-dependence between active subjectivation and subjection (assujettissement). Understanding the «mode of subjection» as one of «the four folds of subjectivation» in Foucault provides us with a compelling argument for ethical pluralism. Finally, this gives us the vital clue for adjusting Deleuze’s interpretation of Foucault, revealing Nietzsche’s violent memory rather than the Heideggerian memory of Being as decisive in the process of subjectivation, and also a necessary conversion of «negative» freedom into positive liberty as autonomy and self-discipline, likewise in agreement with Nietzsche’s project of making «asceticism natural again».

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