Abstract
The essay views the video installation as an apparatus that lightens multiple subjectivities. By illustrating two works of Amar Kanwar, the essay elaborates on various positions of the audience, the methodologies used by Kanwar in proposing different ways of viewing to generate different subjective experiences. This also offers an analysis of video installation to re-define post-medium according to engagement with the art object and not in its making.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
