Abstract
Complexities of literary work's transferring on the screen are discussed in the article as exemplified by Roald Dahl's fairy tale's two screen versions: "Willy Wonka the Chocolate Factory" (1971, directed by Mel Stuart) and "Charlie and the Chocolate Factory" (2005, directed by Tim Burton). The article is published to the 50th anniversary of Roald Dahl's fairy tale's release.
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