Abstract
The study concerns the relation of saturation to the purity and luminance of aperture colors viewed in a dark surround. For the primary hues, red, yellow, green, and blue, and the intermediate hues, orange and yellowish green, the saturations increased as power functions of colorimetric purity. An IS-dB increase in luminance caused a threefold increase in the exponent for yellow, but luminance had little effect on the exponents of the other colors. The direct heterochromatic matching of saturation to saturation confirmed the validity of the scales determined by magnitude estimation and led to the construction of families of saturation scales based on a common unit called a crome. Equisection and jnd scales were also determined. Their nonlinearity suggests that saturation is a prothetic continuum. It was found that mixing red or green with yellow behaves much the same as mixing red or green with achromatic light. The changes in hue behave as prothetic continua, for the equisection and jnd scales are nonlinearly related to the power-function scales obtained by magnitude estimation and matching.
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