Abstract
This article seeks to challenge Stanley Fish’s picture of the heroine of Milton’s Comus as a complete and immaculate soul, and thus a static one with no need to grow. In conversation with Book II of Edmund Spenser’s Faerie Queene, I argue that Milton presents the Christian virtues as developed through the ritual enactment of prevenient grace. Thus, the pattern for the Lady’s growth into sanctified maturity is a ceremonial or even liturgical movement intended to lead masquers and audience heavenward.
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