Abstract
A strong positive real-time relationship between loudness and tension in music [1] and loudness and arousal [2] has been claimed. Given that intensity is a strong determinant of perceived loudness [3,4], and that we have as yet no validated computational continuous measures of loudness for long passages of music, Experiment 1 relates physical measures of intensity to listeners' real-time perceptions of change and affect in computer music. Computer music is not only a contemporary idiom, but also open to precise algorithmic control, unlike many experimental vehicles in music perception studies.
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