Abstract

The present study examined the relationship between music preferences, values, and musical identities in a sample of 606 Greek college students. Students indicated the importance of music in defining and evaluating themselves and their values on an abbreviated version of the Schwartz Value Survey ( Schwartz, 1992 ). A typology of music preferences was revealed, with five factors: sophisticated and complex (e.g., jazz); native-Greek traditional (e.g., ‘rebetika’); sentimental and sensational (e.g., pop); established rebellious (e.g., rock); and non-mainstream dissonant (e.g., punk). Hierarchical regression analyses showed that values and perceived importance of music to self-definition (i.e., musical identities) contribute differentially in predicting the music preference structures, for example self-transcendence predicted established rebellious and conservation predicted sentimental and sensational; also musical identity was positively related to established rebellious and negatively to sentimental and sensational. These findings are discussed and interpreted within a psychological, as well as an interdisciplinary, theoretical framework.

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