Abstract
Filmmaker and predecessor to Black Cinema in Brazil, Zózimo Bulbul not only builds archives, captures memories and unveils a city previously hidden, but also points out its potentialities and dilemmas. This article aims to analyze the stories told by Zózimo Bulbul about Rio de Janeiro and its African heritage, from his short films produced and directed for a period of twenty-five years and before creation of the Black Cinema Meeting Brazil, Africa, Caribbean and other diasporas, Brazil’s largest black film festival: Aniceto do Império – Em Dia de Alforria? (1981, 11’), Pequena África (2002, 14’), República Tiradentes (2005, 36’), Samba no Trem (2005, 18’) e Zona Carioca do Porto (2006, 28’)
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Todas as Artes Revista Luso-Brasileira de Artes e Cultura
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
