Revisiting Juan José Saer’s El entenado / The Witness —Forty Years Later

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Abstract: This essay revisits Juan José Saer’s 1983 novel El entenado/The Witness as a novel, as a work of the literary imagination, for the purpose of challenging the thrust of scholarship that reads it, not as fiction, but as faulty ethnography and historiography and therefore a palimpsest of racist-colonialist tropes about the “cannibal” in the Americas. Saer’s novel bears “witness” to the emergence of “scientific” discourses of human communities in early modernity through its mimicry of the ethnographic mode, but the novel’s fictional and literary properties subvert—rather than reinforce—those very discourses. This is accomplished by the novel’s unnamed narrator in sixteenth-century Spain who retrospectively narrates the ten years he spent in captivity with a cannibalistic society somewhere in South America and became immersed in their community. His account is a self-reflexive meditation on the failure of language to signify as well as the irretrievability and capriciousness of memory. It also implicates the myopic nature of sixteenth-century European thought about its historical “others.”

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  • 10.1017/s0022046900019916
From Madrid to purgatory. The art and craft of dying in sixteenth-century Spain. By Carlos M. N. Eire. (Cambridge Studies in Early Modern History.) Pp. xiv + 571 incl. numerous ills. Cambridge: Cambridge University Press, 1995. £40. 0 521 46018 2
  • Apr 1, 1997
  • The Journal of Ecclesiastical History
  • John Edwards

From Madrid to purgatory. The art and craft of dying in sixteenth-century Spain. By Carlos M. N. Eire. (Cambridge Studies in Early Modern History.) Pp. xiv + 571 incl. numerous ills. Cambridge: Cambridge University Press, 1995. £40. 0 521 46018 2 - Volume 48 Issue 2

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Captives of Conquest: Slavery in the Early Modern Spanish Caribbean
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  • Hispanic American Historical Review
  • Tessa Murphy

This concise yet deeply researched volume joins a growing body of work that attends to the enslavement of Indigenous people in the colonial Americas. Distinguishing her book from studies of Indigenous slavery that focus on the North American mainland and that consider the period from the seventeenth century onward, Stone traces the enslavement of people native to the circum-Caribbean from the beginning of Spanish colonization in the 1490s until the passage of the New Laws in 1542. Arguing that “the search for and profit from Indian captives was central to the development of Spanish colonial institutions,” Stone convincingly demonstrates that Indigenous slavery and the slave trade were integral to Spanish exploration, conquest, and settlement of the Americas (p. 30). By combining archaeological and written colonial sources, she also succeeds in creating a detailed ethnohistorical account of the Caribbean's original inhabitants and their initial experiences of and responses to Spanish contact. The resulting work highlights the key role that Indigenous slavery played in early Iberian expansion while simultaneously striving to keep Indigenous people at the center of analysis.Among the most welcome elements of Stone's work is her careful attention to Indigenous social and political dynamics from the precontact era until the mid-sixteenth century. In chapter 1, Stone makes deft use of available archaeological and archival evidence to analyze fourteenth- and fifteenth-century Iberia and the Greater Antilles, respectively, demonstrating that both societies were dynamic, expanding, and already engaged in practices of slavery that would continue to evolve after contact.Stone's careful reconstruction of the precontact Caribbean—a society that she convincingly shows was shaped by long-distance trade networks long before European arrival—in turn allows her to explore varied Indigenous responses to Spanish arrival. In chapter 2, Stone reconstructs why some Antillean caciques allied with the Spanish, while others—usually those who wielded more power at the time of Spanish contact—did not.Whereas Nancy van Deusen's Global Indios: The Indigenous Struggle for Justice in Sixteenth-Century Spain (2015) explored how freedom suits brought by Indigenous Americans enslaved in early modern Iberia shaped metropolitan understandings of race, Stone is primarily concerned with the demographic, economic, legal, and social consequences of this large-scale trade in human beings in Spain's newly claimed colonies. In chapter 3, she shows how early sixteenth-century debates over Indigenous slavery reveal its importance in both religious and secular affairs, while also illustrating the limits of crown authority in the Americas.Chapters 4 and 5 explore how slaving shaped Spanish colonization of Florida, Mexico, and Central and South America, as Indigenous slavery became “one of the largest businesses in the New World” by the 1520s (p. 104). While some Indigenous captives became “involuntary collaborators” who served as translators and guides for Spanish explorers, thousands more were trafficked to the Andes or the Caribbean (p. 94).As Stone shows in her final chapter, Indigenous slavery in the circum-Caribbean eventually ended not because it was replaced by African slavery but because it became unsustainable. 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  • American Book Review
  • Emad Mirmotahari

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  • The Journal of Modern History
  • James Amelang

Previous articleNext article No AccessReview ArticleSociety and Culture in Early Modern Spain Lucrecia's Dreams: Politics and Prophecy in Sixteenth-Century Spain. Richard L. Kagan Emigrants and Society: Extremadura and Spanish America in the Sixteenth Century. Ida Altman The Avila of Saint Teresa: Religious Reform in a Sixteenth-Century City. Jodi Bilinkoff Town and Country in Pre-industrial Spain: Cuenca, 1550-1870. David Sven Reher Liberty in Absolutist Spain: The Habsburg Sale of Towns, 1516-1700. Helen Nader Gender and Disorder in Early Modern Seville. Mary Elizabeth Perry Frontiers of Heresy: The Spanish Inquisition from the Basque Lands to Sicily. William Monter Inquisition and Society in the Kingdom of Valencia, 1478-1834. Stephen Haliczer Spanish Imperialism and the Political Imagination: Studies in European and American Social and Political Theory, 1513-1830. Anthony Pagden Theatre in Spain, 1490-1700. Melveena McKendrick James AmelangJames Amelang Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by The Journal of Modern History Volume 65, Number 2Jun., 1993 Article DOIhttps://doi.org/10.1086/244641 Views: 8Total views on this site Copyright 1993 The University of ChicagoPDF download Crossref reports no articles citing this article.

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Delia Mendez Montesinos. The Ingenious Simpleton: Upending Imposed Ideologies through Brief Comic Theatre. Lanham, MD: University Press of America, 2014. Pp. xvi + 146. $29.99. In The Ingenious Simpleton, Delia Mendez Montesinos analyzes the subversive potential of brief comic theater and popular performance, and documents its persistent ability to resist submission to hierarchical, social stratification. Through comedy, lower and marginalized classes, who often are subjected to a negative self-concept imposed by hegemonic power interested in sustaining itself, find outlets to transgress socially prescribed norms. Mendez Montesinos's valuable study concerns itself particularly with popular performances that feature a buffoon or comic simpleton, and develops case studies from three geographical regions (Spain, Mexico, and California) across disparate chronological periods. Ultimately, this study reveals a heritage of subversive comedy in twentieth-century Hispanic popular performance that can be traced to the origins of the comic simpleton figure in sixteenth-century Spain. The authors main contention is not that these kinds of politically subversive performances arise only under particular or special social circumstances, but that they can and do exist in a variety of historical, social, and political environments. The subversion of norms through comic performance is a common denominator that reveals a pervasive and enduring tradition across time. Proposing that theatre can be a powerful tool to provide marginalized groups with a needed sense of solidarity and self-worth (xi), the book's brief introduction establishes its central argument by way of the specific historical examples of Lope de Ruedas pasos as mass entertainment in sixteenth-century Spain, post-Revolutionary Mexican satirical public performance (a tradition the author sees dating to pre-Columbian times), and the Teatro Campesino among the grape-harvesters of California's San Joaquin Valley in the 1960s. The book's first chapter outlines the theoretical parameters of the study, introducing definitions of laughter and comedy in both social and theatrical contexts. Here, Mendez Montesinos provides a brief historical overview of the comic figure of the fool, its relationship to laughter (particularly in the context of the carnivalesque), and its social and theatrical roles, beginning in the early modern period. The author cites Erasmus and Shakespeare as examples of early modern authors who developed the figure of the fool; she might also have discussed equally important Spanish writers, such as Cervantes, or the popular tradition of performed entremeses and teatro breve of early modern Spain in order to provide a firmer foundation for her otherwise sound historical analysis. Mendez Montesinos's approach to laughter is largely Bakhtinian, although she also includes references to Henri Bergson, Jacques LeGoif, Thomas Hobbes, Sigmund Freud, and others. This relatively schematic overview of the history of theories of laughter summarizes well-known scholarship on the topic and highlights an important connection between the fool's marginalized perspective and the figure's ability to express or reveal truths through comic illusion, in keeping with Aritsotle's conception of eutrapelia. Throughout this chapter, Mendez Montesinos relies on a distinction between artificial and natural fools in an early modern context, claiming that the ruling classes allowed social transgression by fools because they considered their mockery to be unintentional, or because they accepted fools as mentally and/or physically inferior beings. While this discussion seems overly essentialist at times, it does serve to articulate the importance of the fool's freedom to speak, and often to speak the truth, which characterizes this stock type from its earliest appearances on the comic stage. Mendez Montesinos then defines various types of comedy, largely following the six points of Maurice Charney's metaphysics of comedy: 1) the discontinuous, 2) the accidental, 3) the autonomous, 4) the self-conscious, 5) the histrionic, and 6) the ironic. …

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  • The Catholic Historical Review
  • Lu Ann Homza

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The Seventy-seventh Annual Meeting of the American Catholic Historical Association
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Celestina and the Human Condition in Early Modern Spain and Italy
  • May 16, 2018
  • Rachel Scott

Winner of the 2015 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland. Celestina by Fernando de Rojas is a canonical work of late medieval Spanish literature and one of the earliest European best-sellers. However, while we have clear evidence of its popularity and influence, scholarship has not adequately answered the question of why it continued to hold such appeal for early modern audiences. This book explores Celestina's role as a key interlocutor in European literature and thought; it argues that the work continued to be meaningful because it engaged with one of the period's defining preoccupations: the human condition, an idea often conceptualised in pro et contra debates about the misery and dignity of man. Taking an ideological and comparative approach that focuses on Celestina's reception in sixteenth-century Spain and Italy, it reads Rojas's work against a network of texts that were translated and printed concurrently in both peninsulas yet which have not previously been examined in depth or detail alongside it, including Baldassare Castiglione's Il Cortegiano, Fernan Perez de Oliva's Dialogo de la dignidad del hombre, and Pietro Aretino's Vita delle puttane. Each chapter explores themes common to sixteenth-century debates about the human condition, such as self-knowledge, self-fashioning, the formative role of language, the tension between freedom and constraint, as well as the access to knowledge provided by vernacular fiction in the context of early modern censorship. Rachel Scott is a Postdoctoral Research Associate at King's College London.

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Believe Not Every Spirit: Possession, Mysticism, and Discernment in Early Modern Catholicism
  • Jan 1, 2008
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  • Stephanie Thompson Lundeen

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  • Single Book
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The Cambridge World History of Slavery
  • Jul 25, 2011
  • Stanley L Engerman

1. Dependence, servility and coerced labor in time and space David Eltis and Stanley L. Engerman Part I. Slavery in Africa and Asia Minor: 2. Slavery in the Ottoman Empire in the early modern era Ehud R. Toledano 3. Slavery in Islamic Africa Rudolph T. Ware III 4. Slavery in non-Islamic West Africa, 1420-1820 G. Ugo Nwokeji 5. Slaving and resistance to slaving in west central Africa Roquinaldo Ferreira 6. White slavery in the early modern era William G. Clarence-Smith and David Eltis Part II. Slavery in Asia: 7. Slavery in Southeast Asia, 1420-1804 Kerry Ward 8. Slavery in early modern China Pamela Kyle Crossley Part III. Slavery among the Indigenous Americans: 9. Slavery in indigenous North America Leland Donald 10. Indigenous slavery in South America, 1492-1820 Neil L. Whitehead Part IV. Slavery and Serfdom in Eastern Europe: 11. Slavery and the rise of serfdom in Russia Richard Hellie 12. Manorialism and rural subjection in east central Europe, 1500-1800 Edgar Melton Part V. Slavery in the Americas: 13. Slavery in the Atlantic islands and the early modern Spanish Atlantic world William D. Phillips, Jr 14. Slavery and politics in colonial Portuguese America: the sixteenth to the eighteenth centuries Joao Fragoso and Ana Rios 15. Slavery in the British Caribbean Philip D. Morgan 16. Slavery on the colonial North American mainland Lorena S. Walsh 17. Slavery in the French Caribbean, 1635-1804 Laurent Dubois 18. Slavery and the slave trade of the minor Atlantic powers Pieter Emmer Part VI. Cultural and Demographic Patterns in the Americas: 19. Demography and family structures B. W. Higman 20. The concept of creolization Richard Price 21. Black women in the early Americas Betty Wood Part VII. Legal Structures, Economics and the Movement of Coerced Peoples in the Atlantic World: 22. Involuntary migration in the early modern world, 1500-1800 David Richardson 23. Slavery, freedom and the law in the Atlantic world, 1420-1807 Sue Peabody 24. European forced labor in the early modern era Timothy Coates 25. Transatlantic slavery and economic development in the Atlantic world: West Africa, 1450-1850 Joseph E. Inikori Part VIII. Slavery and Resistance: 26. Slave worker rebellions and revolution in the Americas to 1804 Mary Turner 27. Runaways and quilombolas in the Americas Manolo Florentino and Marcia Amantino.

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  • Arizona Journal of Hispanic Cultural Studies
  • Amy S George

Book Reviews 225 The Mapping of New Spain: Indigenous Cartography of the Relaciones Geográficas. Chicago and London: University of Chicago Press, 1996 By Barbara E. Mundy Wonderfully illustrated and well-crafted, this work is a useful volume for scholars in a variety of fields. Barbara Mundy traces the development of Mexican indigenous cartography of the colonial period from a variety of directions, pointing to the multifaceted unit which was ultimately created. She acknowledges rhe influence of both European and pre-colonial cartographic rradirions in crearing the indigenous maps of the ReUciones Geográficas and also considers the implications of these maps for the diverse society which they reflect. The text of the book is clear, concise, descriptive, and analytical, directly corresponding to the accompanying figures and tables. Along with eight tables, Mundy includes 101 figures and eight colot plates of the maps of the Relaciones Geográficas. As well as reproductions of selected maps, the figures range from modern-day renderings of the regions which Mundy discusses to pages from precolonial manuscripts and are incorporated into the text wonderfully. Additionally , many of the photographic reproductions are made by Mundy herself, a testament to her abilities as a researcher and the time involved in gathering data for the project. This work studies 69 maps and includes a catalogued appendix of relevant information for each. It also includes an appendix transcribing the questionnaire on which the maps were based and a detailed index. Fat from a simple analysis of images, Mundy examines these maps from many perspectives. Included are studies of the etymology of place names and the impottance of both alphabetic and logographic script in analyzing the data. Mundy discusses the use of alphabetic script in the maps as alternately nominative, descriptive or historical in nature while the logographic script extends beyond monodimensional images into a multilayered discourse. Pictorial devices discussed by Mundy include placement on the page and the use of determinative or classificatory logographs. According to Mundy's reading of the maps, the meaning of a logograph would have changed according to the context of the map such that, in certain instances, a hill drawn on a map would indicate the physical geography of the land while in other instances it would be a symbolic representation of a town. The placement of the image was thus as important as the image itself, helping to establish both a physical geography and a social hierarchy through rhe pictorial representations of the space. The interpretation would depend upon the knowledge of the reader, enabling a polyphonic reading of the map, according to the context in which it were read and the level of pictorial and/or alphabetic literacy of the reader. Additionally, Mundy discusses the motivation behind the work and how it is that the intended reader would have shaped the information set out in the map. She examines both chorographic and geographic map-making traditions, 226 Arizona Journal of Hispanic Cultural Studies the former focusing on partial or particulat views of a place while the lattet highlight the geographic features of the region. The ReUciones Geográficas maps reflecred both types of maps, depending upon the understanding of the cartographer and his perception of the intended audience. The maps sought to combine text and image into a cohesive structure, constantly influenced by the individual map-makers. This made for a wide range of maps depending upon the cartographers ' levels of training and their indigenous or Hispanic heritage or influences. The maps became a blending of two traditions into one, multi-layered image and it is this image which Mundy seeks to understand in her work. Among other things, her book examines the Spanish Imperial ideologies, native traditions, and ideologies of language and literacy as these affected the producrion of cartographic images during the colonial era. This reviewer finds little to criticize in this work, with the exception of a question which she would pose to Mundy. Repeatedly throughout the work Mundy refers ro the map-maker as "he (or she)" but it has been documented that few women had access to literacy in either pre-colonial Latin America or sixteenth century Spain. Thus the reviewer questions the necessity of gender...

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