Abstract
Writing a history of literary criticism is undoubtedly challenging in that it requires the writerâs expertise in two aspects: how to unify both theoretical and practical criticism; and how to objectively, accurately and comprehensively give a succinct account of key information in the face of a vast amount of literature. Peng addresses these issues by pursuing a narrative pattern which includes a macro-level portrayal of social and cultural contexts, a meso-level analysis of literary events and cultural debates, and a micro-level interpretation of four individual criticsâ ideas about Australian literature in every phase of the development.
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