Restaging the Sixties: Radical Theaters and Their Legacies. Edited by James M. Harding and Cindy Rosenthal. Ann Arbor: University of Michigan Press, 2006; 464 pp.; illustrations. $75.00 cloth, $35.00 paper

June 01 2015 Animal Acts: Performing Species Today. Edited by Una Chaudhuri and Holly Hughes. Ann Arbor: University of Michigan Press, 2014; 254 pp.; illustrations. $90.00 cloth, $35.00 paper, e-book available Catherine Ming T’ien Duffly Catherine Ming T’ien Duffly Search for other works by this author on: This Site Google Scholar Author and Article Information Catherine Ming T’ien Duffly Online ISSN: 1531-4715 Print ISSN: 1054-2043 ©2015 New York University and the Massachusetts Institute of Technology2015 TDR/The Drama Review (2015) 59 (2 (226)): 180–182. https://doi.org/10.1162/DRAM_r_00462 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Catherine Ming T’ien Duffly; Animal Acts: Performing Species Today. Edited by Una Chaudhuri and Holly Hughes. Ann Arbor: University of Michigan Press, 2014; 254 pp.; illustrations. $90.00 cloth, $35.00 paper, e-book available. TDR/The Drama Review 2015; 59: 2 (226), 180–182. doi: https://doi.org/10.1162/DRAM_r_00462 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2015 New York University and the Massachusetts Institute of Technology2015 Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 2020 Performance Constellations: Networks of Protest and Activism in Latin America Performance Constellations: Networks of Protest and Activism in Latin America. By Marcela A.Fuentes. Ann Arbor: University of Michigan Press, 2019; 178 pp.; illustrations. $75.00 cloth, $24.95 paper, e-book available. Marlon Jiménez Oviedo Marlon Jiménez Oviedo Marlon Jiménez Oviedo is a PhD student in Theatre Arts and Performance Studies and an MA student in Development Studies at Brown University. His research focuses on movement traditions that live outside systems of authorship and stage or museum spaces, decolonial movements, and the transnational movements of neoliberal capitalism. marlon_jimenez_oviedo@brown.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Marlon Jiménez Oviedo Marlon Jiménez Oviedo is a PhD student in Theatre Arts and Performance Studies and an MA student in Development Studies at Brown University. His research focuses on movement traditions that live outside systems of authorship and stage or museum spaces, decolonial movements, and the transnational movements of neoliberal capitalism. marlon_jimenez_oviedo@brown.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2020 New York University and the Massachusetts Institute of Technology2020New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2020) 64 (3 (247)): 174–176. https://doi.org/10.1162/dram_r_00954 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Marlon Jiménez Oviedo; Performance Constellations: Networks of Protest and Activism in Latin America. TDR/The Drama Review 2020; 64: 3 (247), 174–176. doi: https://doi.org/10.1162/dram_r_00954 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2020 New York University and the Massachusetts Institute of Technology2020New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

Hospitalization Trends After Prostate and Bladder Surgery: Implications of Potential Payment Reforms

Understanding the Barriers to the Dissemination of Medical Expulsive Therapy

Tailoring Technique of Laparoscopic Partial Nephrectomy to Tumor Characteristics

Refining Histotripsy: Defining the Parameter Space for the Creation of Nonthermal Lesions With High Intensity, Pulsed Focused Ultrasound of the In Vitro Kidney

June 01 2004 Sniff Art Jessica Chalmers, Jessica Chalmers Assistant Professor at the University of Notre Dame. She is currently working on a performance about the 1963 demise of the Studebaker Corporation, in conjunction with the Builders Association, scheduled to open in Fall 2004. Search for other works by this author on: This Site Google Scholar Una Chaudhuri Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1995), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Search for other works by this author on: This Site Google Scholar Author and Article Information Jessica Chalmers Assistant Professor at the University of Notre Dame. She is currently working on a performance about the 1963 demise of the Studebaker Corporation, in conjunction with the Builders Association, scheduled to open in Fall 2004. Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1995), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2004 Massachusetts Institute of Technology2004 TDR/The Drama Review (2004) 48 (2 (182)): 76–80. https://doi.org/10.1162/dram.2004.48.2.76 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Jessica Chalmers, Una Chaudhuri; Sniff Art. TDR/The Drama Review 2004; 48: 2 (182), 76–80. doi: https://doi.org/10.1162/dram.2004.48.2.76 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2004 Massachusetts Institute of Technology2004 Article PDF first page preview Close Modal You do not currently have access to this content.

March 01 2004 Regime Change: King Lear in Los Angeles, George Bush in Iraq, Americans in France Una Chaudhuri Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1985), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Search for other works by this author on: This Site Google Scholar Author and Article Information Una Chaudhuri Professor of English and Drama at New York University. She is the author of No Man's Stage: A Semiotic Study of Jean Genet's Plays (UMI Research Press, 1986) and Staging Place: The Geography of Modern Drama (University of Michigan Press, 1985), editor of Rachel's Brain and Other Storms: The Performance Scripts of Rachel Rosenthal (Continuum, 2001), coeditor of Land/Scape/Theater (University of Michigan, 2002), and guest editor of a special issue of Yale's Theater magazine on “Theater and Ecology” (25:1, 1995). Online Issn: 1531-4715 Print Issn: 1054-2043 © 2004 New York University and the Massachusetts Institute of Technology2004 TDR/The Drama Review (2004) 48 (1 (181)): 86–94. https://doi.org/10.1162/105420404772990691 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Una Chaudhuri; Regime Change: King Lear in Los Angeles, George Bush in Iraq, Americans in France. TDR/The Drama Review 2004; 48: 1 (181), 86–94. doi: https://doi.org/10.1162/105420404772990691 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2004 New York University and the Massachusetts Institute of Technology2004 Article PDF first page preview Close Modal You do not currently have access to this content.

November 01 2018 Robots, Drawing, and Space: wavePavilion Parke MacDowell, Parke MacDowell Parke MacDowell is a principal at macdowell.tomova, a young, experimental design practice based in Ann Arbor. Search for other works by this author on: This Site Google Scholar Diana Tomova Diana Tomova Diana Tomova is a principal at macdowell.tomova, a young, experimental design practice based in Ann Arbor. Search for other works by this author on: This Site Google Scholar Author and Article Information Parke MacDowell Parke MacDowell is a principal at macdowell.tomova, a young, experimental design practice based in Ann Arbor. Diana Tomova Diana Tomova is a principal at macdowell.tomova, a young, experimental design practice based in Ann Arbor. Online Issn: 2572-7338 Print Issn: 1091-711X © 2011 Parke MacDowell and Diana Tomova2011Parke MacDowell and Diana Tomova Thresholds (2011) (39): 83–86. https://doi.org/10.1162/thld_a_00163 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Parke MacDowell, Diana Tomova; Robots, Drawing, and Space: wavePavilion. Thresholds 2011; (39): 83–86. doi: https://doi.org/10.1162/thld_a_00163 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsThresholds Search Advanced Search This content is only available as a PDF. © 2011 Parke MacDowell and Diana Tomova2011Parke MacDowell and Diana Tomova Article PDF first page preview Close Modal You do not currently have access to this content.

Psychosocial Predictors of Lower Urinary Tract Symptom Bother in Black Men: The Flint Men's Health Study

June 01 2019 Archive Everything: Mapping the Everyday; Documenting Performance: The Context and Processes of Digital Curation and Archiving; Rogue Archives: Digital Cultural Memory and Media Fandom Archive Everything: Mapping the Everyday. By GabriellaGiannachi. Cambridge, MA: The MIT Press, 2016; 240 pp.; illustrations. $42.00 cloth.Documenting Performance: The Context and Processes of Digital Curation and Archiving. Edited by ToniSant. London: Bloomsbury Publishing, 2017; 360 pp.; illustrations. $79.20 cloth, $26.96 paper, e-book available.Rogue Archives: Digital Cultural Memory and Media Fandom. By AbigailDe Kosnik. Cambridge, MA: The MIT Press, 2016; 440 pp.; illustrations. $45.00 cloth. Christina Yang Christina Yang Christina Yang is a PhD candidate in Performance Studies at NYU’s Tisch School of the Arts working on spectatorship, politics of the image, and contemporary art. She is the coauthor of “How to Make Art with Places, People, and Things” for Guggenheim Social Practice (Guggenheim Museum, 2018). cry219@nyu.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Christina Yang Christina Yang is a PhD candidate in Performance Studies at NYU’s Tisch School of the Arts working on spectatorship, politics of the image, and contemporary art. She is the coauthor of “How to Make Art with Places, People, and Things” for Guggenheim Social Practice (Guggenheim Museum, 2018). cry219@nyu.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2019 New York University and the Massachusetts Institute of Technology2019New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2019) 63 (2 (242)): 187–191. https://doi.org/10.1162/dram_r_00849 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Christina Yang; Archive Everything: Mapping the Everyday; Documenting Performance: The Context and Processes of Digital Curation and Archiving; Rogue Archives: Digital Cultural Memory and Media Fandom. TDR/The Drama Review 2019; 63: 2 (242), 187–191. doi: https://doi.org/10.1162/dram_r_00849 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2019 New York University and the Massachusetts Institute of Technology2019New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 2002 Staging Tourism: Bodies on Display from Waikiki to Sea World Staging Tourism: Bodies on Display from Waikiki to Sea World. By DesmondJane C. . Chicago and London: The University of Chicago Press, 1999; xxv + 336 pp.; illustrations. $30.00 cloth. Sharon Mazer Sharon Mazer Head of the Department of Theatre and Film Studies at the University of Canterbury in Christchurch, New Zealand Search for other works by this author on: This Site Google Scholar Author and Article Information Sharon Mazer Head of the Department of Theatre and Film Studies at the University of Canterbury in Christchurch, New Zealand Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 2002 New York University and the Massachusetts Institute of Technology2002 TDR/The Drama Review (2002) 46 (3 (175)): 170–172. https://doi.org/10.1162/dram.2002.46.3.170 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Sharon Mazer; Staging Tourism: Bodies on Display from Waikiki to Sea World. TDR/The Drama Review 2002; 46: 3 (175), 170–172. doi: https://doi.org/10.1162/dram.2002.46.3.170 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 2002 New York University and the Massachusetts Institute of Technology2002 Article PDF first page preview Close Modal You do not currently have access to this content.

March 01 2018 More Books Michell Nicole Miller Michell Nicole Miller Michell Nicole Miller is a doctoral student in the Department of Performance Studies at Northwestern University. michellmiller2022@u.northwestern.edu Search for other works by this author on: This Site Google Scholar Author and Article Information Michell Nicole Miller Michell Nicole Miller is a doctoral student in the Department of Performance Studies at Northwestern University. michellmiller2022@u.northwestern.edu Online Issn: 1531-4715 Print Issn: 1054-2043 ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2018) 62 (1 (237)): 222–224. https://doi.org/10.1162/DRAM_r_00741 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Michell Nicole Miller; More Books. TDR/The Drama Review 2018; 62: 1 (237), 222–224. doi: https://doi.org/10.1162/DRAM_r_00741 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content.

March 01 1998 Dancing: A Letter from New York City Ann Daly Ann Daly Visiting Associate Professor of Performance Studies at Tisch School of the Arts/NYU in 1996/97, is Associate Professor of Dance History/Criticism at The Uni-versity of Texas at Austin. Search for other works by this author on: This Site Google Scholar Author and Article Information Ann Daly Visiting Associate Professor of Performance Studies at Tisch School of the Arts/NYU in 1996/97, is Associate Professor of Dance History/Criticism at The Uni-versity of Texas at Austin. Online ISSN: 1531-4715 Print ISSN: 1054-2043 © 1998 New York University and the Massachusetts Institute of Technology1998 TDR/The Drama Review (1998) 42 (1 (157)): 15–23. https://doi.org/10.1162/105420498760308634 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Ann Daly; Dancing: A Letter from New York City. TDR/The Drama Review 1998; 42: 1 (157), 15–23. doi: https://doi.org/10.1162/105420498760308634 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 1998 New York University and the Massachusetts Institute of Technology1998 Article PDF first page preview Close Modal You do not currently have access to this content.

September 01 1998 Chinese in Trinidad Carnival Carlisle Chang Carlisle Chang Native of Trinidad. Although he is better known in his country as a mural and easel painter, he also designs for theatre and ballet. He has been involved in the promotion of art throughout his 60-year-long career, holding the Hummingbird Medal for Community Service, the bronze medal of the VII Sao Paulo Bienal for painting (1963), and a citation from the Press Club of Lausanne (1972) for Best Foreign Pavilion at the Comptoire Suisse. His paintings have been exhibited in group shows in Europe, London, and the United States. Mr. Chang was also responsible for designing his country's flag and coat-of-arms Search for other works by this author on: This Site Google Scholar Author and Article Information Carlisle Chang Native of Trinidad. Although he is better known in his country as a mural and easel painter, he also designs for theatre and ballet. He has been involved in the promotion of art throughout his 60-year-long career, holding the Hummingbird Medal for Community Service, the bronze medal of the VII Sao Paulo Bienal for painting (1963), and a citation from the Press Club of Lausanne (1972) for Best Foreign Pavilion at the Comptoire Suisse. His paintings have been exhibited in group shows in Europe, London, and the United States. Mr. Chang was also responsible for designing his country's flag and coat-of-arms Online Issn: 1531-4715 Print Issn: 1054-2043 © 1998 New York University and the Massachusetts Institute of Technology1998 TDR/The Drama Review (1998) 42 (3 (159)): 213–219. https://doi.org/10.1162/105420498760308571 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Carlisle Chang; Chinese in Trinidad Carnival. TDR/The Drama Review 1998; 42: 3 (159), 213–219. doi: https://doi.org/10.1162/105420498760308571 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. © 1998 New York University and the Massachusetts Institute of Technology1998 Article PDF first page preview Close Modal You do not currently have access to this content.