Representations of the Dead in the Popular Culture of Pontic Greeks

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This article presents a detailed account of the folk-mythological representations of the deceased in the traditional culture of the Pontic Greeks. It is primarily based on field data collected during expeditions conducted between 2022 and 2024 in the areas where the Pontic Greeks have traditionally lived in concentrated settlements. The data was collected from the Krasnodar and Stavropol regions, the Republics of Karachay-Cherkessia, North Ossetia-Alania and Dagestan, Kazakhstan, Georgia and Armenia, as well as from written sources on the traditional culture of the Pontic Greeks and dialect dictionaries. The characteristics of the Pontic mythological character "hortlach" ("walking dead," zombie) are considered according to the scheme developed by the team of authors of the Moscow ethnolinguistic school. This includes a description of the character's names and titles, its hypostases, characteristics of its appearance, genesis, loci, time of activation, properties, characteristic occupations, functions and predicates, objects of influence, characteristic motifs, and other relevant information. A distinctive quality of the Pontic "hortlach" is its capacity to alter its physical form. During the daytime, it assumes the appearance of a deceased individual interred in a grave, at night, it emerges from the cemetery and departs from the burial ground. Another distinctive attribute of the Pontic "hortlach" is its capacity to transform into a werewolf. During the daytime, it lies in the grave in the form of a deceased individual, while at night it emerges from the cemetery and traverses the village in the guise of a massive black canine. The concepts associated with the "Chortlakh" are more enduring among Turkic-speaking Urum Greeks, who are native to Greek villages in Georgia. This observation correlates with the overall more robust preservation of folk-mythological beliefs and traditional culture within this subgroup. Narratives about "chortlakh" are ubiquitous across all surveyed regions, and the lexeme itself is fixed in a multitude of phraseological expressions, including "to wander like a chortlakh," "to walk at night like a chortlakh," and as a swear word. Extended texts with descriptions of mythological characters or full texts of classical stories are very rarely recorded in the surveyed territories, and mythological vocabulary is gradually fading into oblivion.

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  • Эпосоведение
  • О.К Павлова

В данной статье рассмотрены образы главных героев в текстах олонхо северо-восточной традиции. Образ главных героев изучен в сравнительно-сопоставительном плане с текстами эпосов родственных тюркских народов Средней Азии и Сибири. Главные герои данных эпосов представляли собой образ идеального человека. Богатыри-воины были предназначены стать защитниками не только племен, но и своих народов и родины. Главный герой якутского олонхо имел божественное происхождение, идеальные внешние данные, высокие моральные качества, большую силу и рост, обладал ловкостью, настойчивостью и упорством. Он был защитником племени айыы. Для выявления образа главного героя в текстах олонхо северо-восточной региональной традиции были проанализированы собственные имена, характеристика и описания богатырей айыы. Анализ имен главных героев олонхо северо-восточной традиции выявил тот факт, что имена главных героев 8 текстов олонхо (57%) северо-восточной традиции не имеют показателей богатырства. Автор считает, что большая половина главных героев не являются богатырями. Главные герои исследуемой традиции были защитниками своей семьи. Они наделены следующими качествами как гордость, настойчивость и упорство. В образе главного героя можно найти черты богатыря-охотника. Богатыри исследуемой традиции, в отличие от богатырей других традиций отличались меткостью и зоркостью, теми чертами, которыми владели именно охотники. Они обладали силой волшебных превращений. Магическая сила и перевоплощение главного героя также считается архаической чертой эпоса. Главные герои изучаемой традиции не наделены высокими нравственными качествами. Они владели такими качествами как вспыльчивость, грубость, жестокость, беспощадность, суровость. В 13 текстах (92,8 %) из 14 отсутствует полная портретная характеристика главного героя. Частичные описания портрета главных героев найдены только в 2 текстах олонхо. В 11 текстах полностью отсутствуют описания главных героев. Автор делает вывод, что в рассматриваемой традиции портретная характеристика главных героев еще не выработана. This article considers the images of protagonists in the texts of the Olonkho of the northeastern tradition. The image of the main characters was studied comparatively in comparative terms with texts of the epics of the related Turkic peoples of Central Asia and Siberia. The main characters of the epic of the Turkic peoples of Central Asia and Siberia were the image of an ideal person. The warriors-heroes were destined to become defenders of not only the tribes, but also their peoples and homeland. The protagonist of the Yakut Olonkho had a divine origin, ideal external properties, high moral qualities, great strength and growth, possessed dexterity, perseverance and perseverance. He was a defender of the Aiyy tribe. To identify the image of the protagonist in the texts of the Olonkho in the northeastern regional tradition, the author's names, characteristics and descriptions of Aiyy warriors were analyzed. The analysis of the names of the main characters of the Olonkho in the northeastern tradition revealed the fact that the names of the main characters of the eight Olonkho texts (57%) of the northeastern tradition do not have any indicators of heroism. The author believes that most of the main characters are not heroes. The main characters of the tradition in subject were the defenders of their families. They are endowed with the following qualities: pride, perseverance and perseverance. In the image of the protagonist you can find the features of a hero – a hunter. The heroes of the studied tradition, unlike the heroes of other traditions, were distinguished for their accuracy and vigilance, the features that the hunters possess. They possessed the power of magical transformations. The magical power and reincarnation of the protagonist is also considered an archaic feature of the epic. The main characters of the studied tradition are not endowed with high moral qualities. They possessed such qualities as quick temper, rudeness, cruelty, ruthlessness, severity. In 13 texts (92.8%) out of 14 there is no complete portrait characteristic of the main character. Partial descriptions of the portrait of the main characters were found only in two texts of the Olonkho. 11 texts lack descriptions of the main characters. The author concludes that in the considered tradition, the portrait characterization of the main characters has not yet been worked out.

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