Abstract

This paper looks at the role of art and material culture in the rituals of birth, first taking into consideration research on material culture in traditional rituals of birth and then turning to the primary topic, which is how art in the contemporary rituals of birth often holds sacred meaning even when the ritual is of a nonreligious nature. A discussion about the sacred in the context of a nonreligious ritual hinges upon an understanding of that which is “sacred”; thus, the paper looks at research on modern theology and the sacred to examine the term in the context of birth as a contemporary rite of passage. Giving examples of how material culture has been important in several traditional birth rituals from different cultures, the paper then traces a similar occurrence in which participants in contemporary nonreligious rituals of birth also uphold art and material culture as sacred elements of the rituals. The paper provides the reader with description of a rich array of art and material culture used across cultures in different rituals of birth. Taking into consideration the numerous contributions that scholars have made to the emerging field of birth and religion, including the interdisciplinary importance of theories related to birth as a rite of passage, the paper also presents new research on the materiality of the contemporary rituals of birth.

Highlights

  • This paper looks at the role of art and material culture in the rituals of birth, first taking into consideration research on material culture in traditional rituals of birth and turning to the primary topic, which is how art in the contemporary rituals of birth often holds sacred meaning even when the ritual is of a nonreligious nature

  • Giving examples of how material culture has been important in several traditional birth rituals from different cultures, the paper traces a similar occurrence in which participants in contemporary nonreligious rituals of birth uphold art and material culture as sacred elements of the rituals

  • Contemporary artists working on the topic of childbirth are by nature living in a globalized community and in many cases influenced by traditions that may have a positive impact on the birth experiences of those who are pregnant or part of the contemporary rituals of birth

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Summary

Introduction

This paper looks at the role of art and material culture in the rituals of birth, first taking into consideration research on material culture in traditional rituals of birth and turning to the primary topic, which is how art in the contemporary rituals of birth often holds sacred meaning even when the ritual is of a nonreligious nature. Taking into consideration the numerous contributions that scholars have made to the emerging field of birth and religion, including the interdisciplinary importance of theories related to birth as a rite of passage, the paper presents new research on the materiality of the contemporary rituals of birth. In her seminal work on ritual, Ritual: Perspectives and Dimensions The paper turns to a discussion of the contemporary rituals of birth, looking both at how religious objects have the capacity to become re-sacralized in a new way during birth as a rite of passage, as well as at how nonreligious objects become sacred of their own accord

Material Culture in Traditional Rituals of Birth
Theories of Rites of Passage
Sacred and Re-Sacralized Objects in the Contemporary Rituals of Birth
Pachamama
The Woman of Willendorf
Labyrinths for Birth
Edinburgh
Silas Kayakjuak’s Birth Sculptures
Birthing
A Merging of Justice and the Sacred in the Painting of Anoa Kanu
Conclusions
Full Text
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