Abstract
One of the first critical approaches to a text upon which Tonino Guerra was working until days before his death in 2012, this commentary addresses the poetic dimension of Guerra’s film treatment, his ethical and ecological concerns, the sacred role of rain and water, the importance of interconnectedness and (non-institutional) spirituality and a rape scene that raises significant issues in terms of gender and women’s agency.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
