Abstract

Diachronic studies play a key role in the research and documentation of cultural heritage and its changes, ranging from architectural fragments to landscape. Regarding the reconstructions of lost cultural heritage sites, the determination of landscape conditions in the reconstructed era goes frequently unheeded. Often, only ruins and detached archeological artefacts remain of the built heritage. Placing them correctly within the reconstructed building complex is of similar importance as placing the lost monument in the context of the landscape at that time. The proposed method harmonizes highly heterogeneous sources to provide such a context. The solution includes the fusion of referential terrain models of different levels of detail (LODs) as well as the fusion of diverse 3D data sources for the reconstruction of the built heritage. Although the combined modeling of large landscapes and small 3D objects of a high detail results in very large datasets, we present a feasible solution, whose data structure is suitable for Geographic Information Systems (GIS) analyses of landscapes and also provides a smooth and clear 3D visualization and inspection of detailed features. The results are demonstrated in the case study of the island monastery, the vanished medieval town of Sekanka, and the surrounding landscape, which is located in Czechia and was the subject of intensive changes over time.

Highlights

  • Over the course of centuries, the landscape has changed in many places to be unrecognizable

  • We proposed a novel solution that combines the approach of a virtual museum with a reconstruction of the cultural heritage site and the landscape

  • We provided the most comprehensive diachronic reconstruction possible considering a complete range of available data sources

Read more

Summary

Introduction

Over the course of centuries, the landscape has changed in many places to be unrecognizable. Virtual reconstruction has become increasingly popular since the virtual model is a valid cognitive medium through which a user can study or even interact with the object. The users from the general public and the scientists frequently employ three-dimensional (3D) models, as they provide clear understanding of objects of cultural heritage as well as changes of the landscape. The virtual reconstructions are used to address different issues and to target different audiences. Their point of interest ranges from very small artefacts [5,6] over the buildings [7] to whole cities (“Rome Reborn” (https://www.romereborn.org); Brno 1645 (https://www.brno1645.cz)).

Objectives
Methods
Results
Discussion
Conclusion
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.