Abstract

In Das Bad, Yoko Tawadacreates a narrative that opens up to the physical materiality of language and text. Several pages of this short novel present images alongside text engaging the reader in a multi-layered process of meaning making that challenges conventional reading practices. Language is not only telling a story but also points to and connects with its own materiality spilling out onto the pages. In her novel, Tawada explores the psychological and physical violence of inscribing bodies to make them legible. The only escape for Tawada’s protagonist is illegibility, a water-like transparency that offers material existence while resisting inscription. Reading Das Badin conversation with new materialist theories of materiality, I aim to show how Tawada’s short novel envisionsbodies, identities, language as something fluid and open, something that reaches beyond its pre-conceived bounds and instead forges unexpected connections. If we are taking the violence experienced by the protagonist in the story seriously, we, as readers, have to contend with our own involvement in the process of making legible and inscribing meaning. Das Badchallenges conventional ways ofreading and meaning making by entangling sense and senses asking its reader to read more than just the story.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.