Abstract
The article is devoted to the comparative research in the sphere of literature and cinematography. The question of the proximity between the film adaption and literary work, which it is based on, is considered. There is an attempt of comparative analysis of R. Bradbury’s novel «Fahrenheit 451˚» and its film adaption of 2018. The visual means of implementing the author’s concept in the film are analyzed. The plot, figurative system and ideological orientation of the literary work and its film version are subjected to comparison. Conclusions are drawn about a significant departure in the film from the literary source, which contributed to the weakening of the problem.
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