Abstract
Veteran memoirs, imbued with white, masculinist bias, dominate US perceptions of the Vietnam War. Drawing from an intersectional approach to trauma studies, this article examines Ocean Vuong’s novel On Earth We're Briefly Gorgeous (2019) as a rewriting of the paradigmatic Vietnam trauma narrative. Vuong challenges normative understandings of traumatic events by shedding light on the effects of the war upon female civilians and their descendants, as well as on the traumatogenic aftermath of all-American masculinist violence for its queer, Asian American protagonist. Vuong also calls for an alternative model to working through trauma based on empathy and relationality.
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