Abstract
ABSTRACTIn 2014, the black and white vampire spaghetti western, A Girl Walks Home Alone at Night (AGWHAAT) follows the narrative of the Girl, a forlorn chador-wearing feminist-vampire-vigilante in the fictional world of Bad City. In this queer utopia, the Girl preys on immoral men so that she can protect the female residents of Bad City from the violence of patriarchy. We explore themes of monstrous feminisms and queer doublings to consider how the film uses the trope of the vampire to manifest queer utopias and reflect Iranian and Iranian-American feminist themes.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
