Abstract
The article studies the work of Pyotr Ignatievich Bromirsky (1886–1920), the youngest of the participants of the “Blue Rose” association. The author analyzes the influence of poetry, painting and theatrical productions of Russian symbolism of the 1900s on his work. Bromirsky’s art is considered in the context of the creative search of Russian avant-garde artists of the early 1910s. In the second half of the 1910s, the work of the sculptor and painter influenced a group of young Moscow artists: L.F. Zhegin, S.M. Romanovich, V.N. Chekrygin, – the founders and participants of the Makovets Art Society.
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