Psychological Strategies of Actors in the Process of Role Implementation in Theatre and Cinema

The Dnipro HPP was part of the Dnipro cascade of hydropower plants and had a significant impact on the regional water environment and energy infrastructure. This study aims to identify the risks to the community ecosystem after the destruction of the Kakhovka reservoir dam. The study area is characterised by environmental friendliness. The purpose of the study is to find out the consequences of the impact of the destruction of the Kakhovka HPP on the territory of the Kobleve community and to assess the level of threat to the community population and the environment for further action. The research methodology is based on the use of general scientific and socio-geographical research methods. Namely, the methods of analysis and synthesis, which involve collecting, analysing and summarising the information collected. The territorial approach is used, thanks to which the attention is focused on the territory defined by the study. In addition, descriptive, comparative and geographical research methods were used. The methodological basis of the work is the works of domestic scientists in the field of environmental protection, scientific periodicals, textbooks and monographs, Internet resources, statistical data of the State Institution "Mykolaiv Regional Centre for Disease Control and Prevention of the Ministry of Health of Ukraine" "Mykolaiv District Department" of the Berezan Laboratory Department, which reflects the sanitary and microbiological state of surface waters. In addition, a tabular method was used to analyse the data. Results. The risks for the study area are identified. The patterns of spreading the consequences of the disaster are characterized. The impact of the event on the community is assessed. The main factors that affect the ecosystem and the lives of the local population, in particular, changes in water levels, impact on fauna and flora, soil quality, etc. Scientific novelty. Analysis of the natural features of the study area and the consequences of the current situation. The analysis allows us to assess the real state and potential of the territory, risks, and areas of influence. On its basis, it is possible to plan further measures necessary for the preservation and restoration of the environment. Practical significance. The process of analysing the impact of the destruction of the Kakhovka Reservoir dam will help to understand how the destruction of the reservoir affects the ecological system of the Kobleve community and help to make informed decisions to preserve nature and water resources.

The purpose of the research is to investigate the problems of the genre in modern media discourse. Research methodology. When writing a scientific article, research methods are used: analysis and synthesis (analyzed and systematized the work of the interview genre have been analyzed and systematized), a comparative method (parallels of interviews in the world and Ukraine have been made), generalization and systematization (summarizing has been made due to practical knowledge and work with diverse literature). Scientific novelty. This article is relevant today, despite the huge number of ready-made materials and articles. Scientific work will help to understand the essence of conducting one of the most complex genres of information journalism and will demonstrate the problems of interviews in Ukraine. Conclusions. During the study of the interview genre in the modern media space, the problems of the interview genre were analyzed through scientific works. It has been established that interviews are a special genre in modern media discourse that helps to reveal or create something completely new and show another angle of the interlocutor. Being one of the leading genres on television, the interview makes a significant contribution to the growth of popularity in a modern environment on the leading channels of the country. Psychological factors have been disclosed, which contribute to the success of communication with a guest; potential problems, the main difficulties faced by the interviewer have been outlined. It has been proved that during the conversation, important moments that turn into information are revealed. The fact that in modern information space, especially in Ukrainian media, there is a lack of qualification of leaders during interviews, is accentuated. Based on them, we summarized the main problems and features of the interview genre. As a result, while working with the article, we have made a conclusion about the main problems of the genre on modern television.

The purpose of the article is to explore the interaction of screen and stage activities, to study the influence of theatre performances on cinema, to identify the emergence of new genres in cinema through the combination of different art forms, and to outline the significance of screen adaptations of literary works. Research methodology. The analysis of theoretical materials and scientific works was used to determine the influence of different types of art on each other, the role of the transformation of a literary work into a screen one and the emergence of new artistic genres, which includes the study of the relationship between different artistic disciplines, as well as the impact of their evolution on the formation of new creative trends and styles in contemporary art. The specifics of adapting literary works to the screen format are revealed, including the study of methods of transferring plot, characters and ideas from a book text to the screen, as well as the analysis of the impact of this process on the audience’s perception of the work and its interpretation. The method of comparing different art forms was used to characterise the interaction between literature, cinema, theatre and other art forms, identifying similarities and differences in their modes of expression and impact on the audience. The synthesis method allowed us to discover the peculiarities of the interaction between different art forms and to identify how the interaction between literature, cinema, theatre, and other art forms contributes to creating new possibilities for interpretation. Scientific novelty. A scientific novelty. For the first time, the author analyses screenworks and stage productions as separate types of cultural activity, studying the mixing of genres and the emergence of film opera as a new contemporary art form by adapting literary works. Conclusions. The study analysed the interaction between cinema and the performing arts and revealed the mutual influence of theatre productions on-screen activities. The study examines how the aesthetics and techniques of theatre influence the shooting and editing of films. In addition, the author outlines the vital role of film adaptations of literary works in developing cinema and its importance as a way of transforming a verbal text into a visual and audiovisual product and enriching the audience’s artistic experience.

Modern interpretations of Gabriel Fauré’s Pavane demonstrate the artistic potential of the work. The variety of performances (from large orchestral and choral ensembles to chamber ensembles) shows the wide possibilities of the composition. The composer’s and performer’s versions of B. McFerrin’s compositiona and performing versions reveal a tendency to preserve the author’s text, despite the performance of the main melody by voice. The version for guitar and string quartet arranged by Thomas Koenigs and performed by the Accord Quintet, demonstrates a performing interpretation with the composer’s reworking of the work. The purpose of the research is to reveal the expressive possibilities of Gabriel Fauré’s Pavane and to characterise the specifics of his interpretation. Research methodology. The article uses the following methods: theoretical – in analysing the studies of domestic and foreign authors and available information sources; synthesis method – to establish the links between the elements identified during the analysis in order to establish a holistic concept and generalise the information obtained. Scientific novelty. For the first time in national scientific thought, the peculiarities of the performing and composer’s interpretation of G. Fauré’s Pavane are considered, and its expressive means and artistic potential are highlighted. Conclusions. Currently, there are many modern interpretations of G. Fauré’s Pavane. These performing versions are adapted for different performing groups. The modifications that take place with the composition illustrate the extraordinary artistic potential of the work. Despite the changes in the performing cast, tempo and texture, the work has not lost its relevance and popularity in the present day. The components, that are most frequently changed, are tempo, arrangement, and textural and structural modifications.

The purpose of the article. The analysis of the scientific literature and legal principles of folk art crafts in Ukraine, including the study of the commitments undertaken by Ukraine after ratifying a number of international documents that became a part of the national legislation in this area, as well as the identification of directions for the improvement of this legislation, taking into account the European standards. Research methodology. Three groups of methods of scientific knowledge were used in the process of writing the article: philosophical (dialectical), general science (formal-logical, method of synthesis) and special-legal (comparative-legal, formal-legal). The dialectical method allowed to consider the legal regulation of folk art crafts in the unity of their material content and legal form. Due to the formal-logical method the concept-categorical apparatus was investigated. Using the method of synthesis, the place of the corresponding set of legal norms in the Ukrainian legislation system was discovered. Using the comparative legal method has allowed to explore the international legal ensuring of cultural heritage, to find out the compliance of domestic legislation with international and European standards. The formal legal method gave an opportunity to reveal the content of the law that regulates relations in the field of folk arts crafts in Ukraine. The scientific novelty of the article is to carry out a comprehensive study of the legal regulation of folk art crafts in the context of Ukraine's integration into the European Union and to identify the main areas of improvement of the national legislation in this area, taking into account the requirements of European standards and international legal acts. Conclusions. Nowadays, the development of folk arts crafts in Ukraine is not defined as a priority in the sphere of cultural policy of the state. This approach has led to a significant degree of occurrence of negative phenomena in the investigated sphere. Improving the legal regulation of folk arts crafts through the development of new ones and the introduction of changes to existing legal acts, taking into account the requirements of international and the European standards, should become a strategic goal in the sphere of realization of the cultural policy of the state. This will contribute to preserving the cultural identity of the country and the spiritual culture of the Ukrainian people.

The purpose of the article is to highlight the problem of ambiguous interpretation of the nature of the Roman State and the appropriateness of using the terms in scientific research. The research methodology is based on general and special historical research methods. The following methods were used in the study of scientific literature and ancient sources: historical and comparative method, statistical method, analysis of dictionary definitions, and the method of generalization and logical analysis. Scientific novelty. The research substantiates the peculiarities and specifics of the use of certain terms, such as: “πόλις”, “civitas” and “res publica” to explain the peculiarities of the Roman state. The author also identifies rarely used concepts that are intended to specify the structure of ancient Rome and have the potential for their further use in scientific works. Conclusions. The vision of the Roman state structure differed in the historical works of ancient authors. They viewed the state through the prism of the terminology available to them, which often led to differences in explanations. With the beginning of Roman expansion in the Mediterranean, the vision of the state structure of the Roman state was different in the historical works of ancient authors. It was determined by the different ethnic origin, political views, and education of its authors. The active participation of the ancient Greeks in writing the history of Rome gave rise to one of the widespread versions according to which Rome, in its structure, was similar to the polis formations of ancient Hellas. The establishment of its primacy in this region also gave rise to its own vision of the structure of their state among Roman citizens. This vision is presented in a significant literary heritage of the politician and orator Marcus Tullius Cicero. Antiquity schools sought to simplify specific terms of the ancient era for explanation, which distorted their meaning, leading to the formation of an incorrect idea of the ancient world. “. Enhancing the specificity of terminology in scholarly works will enable a more specific examination of different periods in the history of the Roman state. Additionally, it will allow for more precise direction of scientific research by indicating the specifics of the conditions in which the studied processes took place.

Purpose: study of the methods of harmonizing the form of pret-a-porter clothes by establishing the conceptual correspondence of the aesthetic properties of the form and its functional features in the design of classic men’s and women’s suits.
 Methodology. The research methodology is determined by a comprehensive study of the subject, based on the use of historical and cultural and comparative methods; methods of formal, functional and semiotic analysis were used. The paper uses art history and art-design scientific approaches. The theoretical and methodological basis of the study is based on the scientific provisions of the theory of clothing design, as well as on the scientific papers and methodological developments of specialists in the history of costume and clothing design.
 Results. Forming methods as a system of creative ideas and functionally expedient solutions for balancing function-aesthetics in the design-ergonomic design of an assortment of promising collections of men’s and women’s clothing, taking into account the plasticity of fabrics, have been studied. The factors influencing the material on the structural and tectonic characteristics of the formation according to the function of the classical suit have been determined. The conceptual correspondence of the harmonization of the form, its aesthetic properties and functional features has been established; the peculiarities of the means of compositional expressiveness in the development of harmonious forms of modern classical costume as a separate valuable component of clothing design have been revealed.
 Scientific novelty. Of the study consists in the implementation of a comprehensive study of modern classical clothing as an object and subject of conceptual design: the artistic origins of the harmonious formation of conceptual collections are revealed; the stages of its harmonious development are determined. It is noted that the value-meaning environment with reference to cultural, mental, social and other contexts becomes identifying for the conceptual suit.
 Practical significance. The practical significance of the study is the creation of a scientific base for the development of harmonious forms of collections of classic suits for the construction of a constructive arrangement of models of the collection of men’s and women’s assortment. The practice of applying theoretical research will help in the educational process of training fashion designers and clothing designers.

The purpose of the article is to determine the historical origins of vocal-instrumental performance from ancient times to the present day, in revealing the influence of some prominent personalities on the further development of vocal and instrumental art and the selection of famous modern ensembles, which are the face of the late XX-early XXI century. Methodology. The research methodology is based on methods of analysis and synthesis, comparative method, method of historicism, and interpretation. The combination of such a technological process makes it possible to more fully disclose the research topic. Scientific novelty. The scientific novelty lies in the systematization of the material on the development of vocal-instrumental performance in Ukraine from its origins to the beginning of the XXI century and the substantiation of the originality of performance in different historical circumstances. Conclusions. Performance as an aspect of the synthesis of the arts over the centuries has had various forms of self-expression. It developed in the conditions of real events, improved according to time, and acquired certain advantages at the turn of the century in different historical periods of spiritual upsurge. Kobzars, bandura players, chamber-instrumental and vocal-instrumental ensembles have passed a difficult way of professional growth and laid the foundation for further development of performing arts. The formation of the national school and the development of bandura performance in Ukraine took place thanks to the great work of the outstanding composer Mykola Lysenko, which inspired the creative work of Ukrainian artists Hnat Khotkevych, Serhiy Bashtan, and others. In the 70s of the XX century ensembles enriched their concert repertoire with arrangements of Ukrainian folk songs and compositions of outstanding composers of their time. Vocal-instrumental ensemble "DakhaBrakha", born in modern conditions at the beginning of the XXI century (2004) stylistically diversified the direction of its activities, synthesizing folk and contemporary music. Keywords: historical milestones of vocal-instrumental development performance, synthesis of arts, the figure of Gregory Skovoroda as a philosopher, composer and musician, activity of the founder of the national school Mykola Lysenko, bandura performance, Ukrainian group "DakhaBrakha".

The purpose of the article is to conceptualise the television dance show as an effective toolkit of the dance industry of early 21st century. Research methodology. An interdisciplinary approach is applied, within which the set of research methods includes the method of analysis and synthesis, analogy and comparison, the method of typological and structural-functional analysis, the comparative method, the system method. Scientific novelty. The television dance show was studied as a powerful tool of the dance industry of the 2000s – early 2020s; the peculiarities of the television dance reality show are considered and its communication strategy is revealed; analysed the existing formats of dance reality shows of a competitive nature ("Dancing with the Stars" and "So, You Think You Can Dance"). Conclusions. Television dance show in the first decades of the 21st century has become one of the most popular ways of entertainment in different countries of the world, which has led to an increase in demand for new dance directions and styles, as well as the improvement of technologies and dance techniques. The communication strategy for awakening the emotional resonance of the audience of a dance reality show consists in switching the viewer's attention from the direct dance practice (from training to the performance) to the emotional component of the process. At the current stage of society's development, television dance shows are one of the most effective tool of the dance industry, contributing to: popularisation of visual dance content; dissemination of relevant information for both theoreticians and practitioners of dance; development of a network of dance studios and dance schools of various styles; familiarisation of a wide audience with leading representatives of the dance industry at the national level; provision of unprecedented opportunities for professional realisation of young dancers.

The purpose of the article is to reveal the structural and functional features of regional information and analytical centres of the 21st century and outline the tasks and direction of their activities in the context of making effective management decisions. Research methodology. Logical, system-structural, and comparative methods were applied to summarise the theoretical and methodological principles and identify the content of the regional information-analytical centre's activities, as well as consider it as a system, i.e. integrity, consisting of subsystems and elements of different levels that are functionally interdependent. Methods of system analysis and synthesis has been used to clarify the role and place of information and analytical centres in the system of state, private, and public structures. Scientific novelty. The structure, functions, tasks and direction of work of regional information and analytical centres were studied; the concept of organising the activity of the regional information and analytical centre, which includes a system of principles, implementation strategy, directions of information and analytical work and criteria for evaluating its effectiveness, is considered. Conclusions. The basis for the activity of modern regional information and analytical centres is the processing of actual data with elements of forecasting. It is positioned as an effective tool for transforming intuitive concepts into a logical category, developing optimal management solutions, summarising disparate data, researching non-obvious processes in socio-economic and political life, research activities, with the aim of obtaining qualitatively new information as a result of the generalisation of materials that were not systematised and accepted for processing. The prospects for the development of information and analytical centres at the regional level directly depend on the described below tasks. The creation of a single information space for each region of the country aims to provide official and additional information at the regional and municipal level to ensure monitoring of socio-economic processes, forecasting the situation, adoption and implementation of management decisions by state authorities and local self-government. Formation, updating and systematisation of databases of integrated information funds about situations in the region in relation to the creation of the Central repository of the regional information system is aimed to monitor and find the situation in the region. It also implements the information and analytical system of monitoring, analysis, and evaluation of the development of the region, provides analysis and evaluation of the development of the territory in comparison with the development indicators of other regions. Keywords: regional information and analytical centre, structure, functions, management decisions.

Purpose – тo generalize methodical approaches to the interpretation of the category of capitalization in the forestry complex and to identify sources of funds that can provide an additional financial basis for the capitalization of forest resources. Research methodology. In the context of this work, the method of system analysis and synthesis was used, as well as a comparative method, which allowed to determine the optimal approach to the identified issues. Scientific novelty. The article summarizes the existing interpretations of the concept of capitalization, according to which the main methodological approaches to it are highlighted, in particular, as: the process of attracting and increasing the value of any assets (resources); the process of transformation of factors of production (assets, resources) into capital; performance of the entity. The article forms directions and relevant additional sources of funds for the use of forest resources, which can provide an additional financial basis for the capitalization of forest resources (assets). Conclusions. It is established that today it is impossible to assess forest assets as a source of environmental and social functions, as there is no methodology for calculating their value. It is noted that the only approach to the assessment of forest resources is only the actual cost of part of forestry products, including by- products and in-use use, hunting, harvesting of secondary forest materials and, accordingly, capitalization of only part of rent in real sales prices. period of restoration and formation of forest stands. Key words: capitalization, forestry complex, forestry assets, forest rent, sources of financing.

The purpose of the article is to reveal the features of a children's musical, created for performance by a children's team, as well as to analyse the specifics of its production on the example of the performances of the leading domestic theatres-studios of musicals. Research methodology. General scientific methods of analysis and synthesis, special artistic methods of observation, systematisation and generalisation, as well as genre and style analysis, comparative method (to identify general and specific features of children's musicals) and the method of theoretical generalisation are applied. Scientific novelty is in the introduction into scientific circulation on the example of musical productions of domestic amateur children's theatre-studios of the knowledge about the musical nature of children's musicals, caused by the interaction of music, verbal, and non-verbal means of expression that correspond to the specifics of children's perception and thinking (musicality is understood as special intonation manifestations characteristic of all means of artistic expression). Children's musicals created to be performed by a children's group were studied in terms of genre specificity; musicals staged by Kyiv amateur children's theatres were analysed; the regularities of children's musicals in the creative practice of Ukrainian theatres for children: studio-theatre «OKAY!», musical theatre «Music Hall», and others are considered. Conclusions. Children's musicals staged by domestic amateur children's groups are a unique genre variety in which various branches of artistic and creative activity are connected in the most perfect form – music, movement, dance, language, speech, acting, singing, costumes, decoration, stage lighting, and special effects. The special spectacularity, brightness, picturesqueness, and construction of this music-dramatic work as a kind of game are characteristic features that create a symbolic space in which the stage action is perceived by the audience as sincerely as possible. The children's musical is endowed with a variety of positive qualities and properties that create the prerequisites for immersing the young viewer in the imaginative world of emotions and feelings, fantasies and thoughts, while remaining as clear and easy to understand as possible thanks to the visualisation of the fairy-tale world of fiction, charm and focus of the entire palette of feelings and moods around the stage spectacle.
 Key words: children's musical, amateur children's group, theatre-studio, performance, stage spectacle.

The purpose of this research is to analyze and generalize the features and techniques of the YouTube platform as a new form of mediatization. Research Methodology. To research the features and techniques the following methods were applied, a namely: analysis and synthesis (analyzed the peculiarities and principles of the YouTube platform), comparative method (studied the process of work of the internetplatform and contemporary television), generalization method (generalized major aspects which disclose YouTube from various sides) and systematization method. Scientific novelty. It is for the first time when YouTube is disclosed and analyzed from the side of a new form of mediatization, highlighted new characteristics that differentiate YouTube from modern television, the factors regulating media space were researched. Conclusions. During the research of YouTube as a new form of mediatization, we analyzed the works of media scientists of the studied phenomenon. By the results, we established new features and techniques of the YouTube platform; analyzed the development stages of YouTube; studied the problems and positive factors of impact of YouTube, as a communication channel. YouTube displaces the television from the first place and takes a big share of rating, and this, in its turn, makes a new form of mediatization as a factor of regulation of contemporary media space.

The purpose of the article is to elucidate the educational activity of the circles, branches of the “Native School” in Pokuttya during 1900 – 1939 on the basis of the analyzed archival sources and scientific literature. The Scientific Novelty. In the article on the basis of archival documents and scientific works for the first time there has been elucidated the circles activities, which performed the duties of branches of the society “Native School” in Pokuttya during 1900 – 1939. The main directions of the society's branches work in Horodenka, Kolomyia, Sniatyn, Tovmach, Tysmenytsia, Otyniya have been singled out and analyzed; their educational, cultural and public activity has been characterized; separate statistical data on a quantitative composition of circles have been illustrated. The principles of objectivity and historicism are the methodological basis of the research. The methods of analysis and synthesis, archival and statistical (cliometry), problem-chronological, comparative historical methods have been used in the research. Adherence to the principles of objectivity and historicism prompted the authors to consider the study of the activities of the society "Native School" (Ridna Shkola) in Pokuttia, taking into account the peculiarities of each historical period, under conditions of different state systems, political relations and circumstances. The methods of analysis and synthesis have been used to study the structure of the society. The information potential of statistical evidence required the use of the cliometry method. Periodization of the society activities “Native School” in Pokuttia has been carried out by using the problem-chronological method. The comparative historical method allowed to show the participation of the society members in government bodies, cultural and educational organizations, etc. The Conclusions. The establishment in 1881 of the Ruske Pedagogical Society (since 1912 – the Ukrainian Pedagogical Society, since 1926 – the “Native School”) was an adequate response of the Ukrainian national conscious intelligentsia to the biased educational policy pursued by the Austro-Hungarian government in the field of Ukrainian schooling. The Ukrainian Pedagogical Society set itself the goal, through the organization of conducting various reports and educational courses, the creation of schools and preschools, scholarships, gymnasiums and institutes, publishing the Ukrainian language educational and fiction literature. The Ukrainian Pedagogical Society set itself the goal to give a Ukrainian child a Ukrainian teacher, to educate him in his native language. In Pokuttya the branches of the Ruske Pedagogical Society were established in Kolomyia, Horodenka, Tysmenytsia and Sniatyn. In 1913, due to the reorganization, the branches of the UPS were transformed into circles, but with the authority of the county circles. Disrupted by World War I and the Polish-Ukrainian War, the activity of local UPS organizations was resumed during the first half of the 1920-ies. Under conditions of the new occupation policy, the work of native school societies was aimed at cherishing the Ukrainian language, history, culture, running and maintaining private gymnasiums, schools, arranging and maintaining kindergartens in summer, collecting donations for the “Native School” and other educational needs, holding holidays and parties for young people and children, concerts in honour of prominent Ukrainian figures, etc. As a non-party institution according to the statute, the “Native School” often became the object of an inter-party competition. Leaders of local political forces often directed the activities of native school organizations in the direction they needed. In general, the branches, and later the circles of the “Native School” in Pokuttya were not only the most effective local Ukrainian educational organization in the region, but also during the 1920-ies – the 1930-ies managed to become ideological and organizational centres of the struggle for the Ukrainian school and its development in the region.

The purpose of the research is to study the development and creative improvement of the artist in a theatre group. The scientific novelty is that for the first time in Ukrainian art history, the development and significance of the artist's personality in a ballet company is presented on such a wide theoretical basis. The authors made a survey of the ballet dancers and found out that a considerable number of artists prefer experimenting and using innovative methods to express their individuality, which contributes to their creative growth and freedom. The research methodology is based on an integrated approach and general methods of scientific research. The historical and cultural methods are used to reveal the historical prerequisites for the development of ballet in Ukraine, comparison of its cultural paradigms. A comparative method was utilised for studying the peculiarities of ballet movement development. The method of interviewing was applied in the form of surveying and conversation with artist group leaders, leading soloists, and ballet dancers. The method of theoretical and comparative analysis was used when processing scientific and methodical literature. Conclusions. The article analyses the formation of one's individuality that begins with mastering basic ballet knowledge and skills during training in the art of ballet. However, it is certain that the real experience of a ballet dancer comes only after joining a theatre or a ballet troupe, that is the first step in one's career. It has been found that the path to becoming an artist begins with mastering ballet technique during training, but true development of individuality begins during professional activity in a theatre or ballet company. Individuality in art is expressed in the creative style, views, and perception of the world through the works of the artist. An artist develops their unique style, reflecting personal feelings and emotions in their creations. The development of an artist's individuality requires constant improvement through various stages such as lessons, performances, masterclasses, and self-study. This process expands the understanding of art and allows the artist to freely express their individuality in their ballet creations.